Yo La Tengo - "Sometimes I Don't Get You"
This is the first leaf to fall. The start to a season. But the kind of start where you're waving goodbye to the person you left as you enter the room.
I think Charlie Brown is going to rummage sales, looking for something he thought he gave to someone a long time ago. Something no one would want, so if they did have it, they'd surely be trying to get rid of it. He has 10 bucks in his big black shoes, and he notices that one, two, three buses have gone by since he's been walking on this street.
[the pre-order benefits package]
--
So, I ended up at Osheaga this weekend (thanks Steph and Meg!), and though I missed a bunch (Sonic Youth, I'm sorry! I was too tired!) I did want to share the highlights for me:
Herman Düne - with Julie Doiron on bass, this show was such a lovely kiss on the cheek. David's "plain-as-should-be" lyrics felt like the most honest thing anyone at the festival had to say, and the closed-eye smiling of the whole set was just the most excited I've ever been while completely relaxed.
Born Ruffians - poor kids got out-drawn by CYHSY (there were 40 people tops), but they still put on a good show. Not as breathless as on the ep, but they have tons of potential. Be warned.
Wolf Parade - never gets old. I've never seen a bad show.
Final Fantasy - ditto.
Born Ruffians - "This Sentence Will Ruin/Save Your Life"
Guys, I'm gonna sing this one while I'm on the exercise bike. I'm gonna bounce on top of the music like a balloon on spikes. I hate the summer, don't you guys? Don't you find you sweat so much you're always slipping on it? I'm gonna go outside and bark louder than that dog. I'm gonna challenge Isaac Brock and Frank Black to a game of jai-alai. You guys are cool here?
Born Ruffians - "Merry Little Fancy Things"
Guys my guts are spilling out, are you seeing this? Is this supposed to happen? I can see what I ate. Oh, still in the package! I feel like sleeping. Well, either that or screaming in your face. You decide. Oh, good, I wasn't tired anyway. Fuck, now I'm tired.
[MySpace]
Born Ruffians, you have my full attention tomorrow.
Paul Brill - "Summer Cold"
This is an umbrella'd Manhattan floating down the Da Nang. A slow-dance on top of an organ floor that's drunker than the singer is. The piano, of course, the American Tourist, just barely standing up. The drums, the sunset. The strings, the flute, the grass, the water. [old stuff til November]
P:ano - "Covered Wagons"
If you saw this song coming at you on the street, it's probably dawn, and no matter how much stuff you have to do today, you're starting to forget most of it. The way it breaks and lifts, it's like opening what you think are probably doors to small rooms, and finding out they are doors to big rooms. Sorry it's a peak-y vinyl rip. [Support little 7" releases! they're cheap!]
So, the Chad VanGaalen contest is over, like one swing of the kitchen door and it's closed. And, of course, the entries were amazing. So amazing, in fact, the winners had such evocative analogies, that they immediately made me think of songs. Not these songs, no, I had to find these songs to fit the analogies, but they're so poetic, so musical, that I knew they would be perfect song descriptions. Their respective explanations are quite necessary if you're not getting it right away, but their power, their presence, is truly there. Kudos to them. And I've included some other favourites after the jump. Thanks for playing, you're such good sports.
Women & Children - "My Bad"
me: my father :: gloria estefan : tour bus
- Allison Shoemaker
[explanation] [band site]
--
Squarepusher - "The Modern Bass Guitar"
me : my father :: polycyclic aromatic hydrocarbons : coal
- Red Ruin
[explanation] [both further tie-in and artist info]
[more]
Giselle Numba One - "Crazeee Bitch"
Giselle raps like it's a secret, like it's a sample sentence, an acting exercise, like free-form dirty talk. Her broken-voiced enunciation, the way she squishes her t's between her teeth and how she side-steps through words as if bypassing slow-walkers on the street, it's the perfect complement to swampy bass, the clicky climbing bloops, the hunched-over drums. Then in walks a goofy, lanky, Beck-type character who, at first objectionable, wins our hearts with his rhymes, and his smile. And at the end it sounds like the whole thing was a joke. I like it. [MySpace]
Panda & Angel - "Mexico"
The voice is doubled here to give itself company. I feel like this song is about twins that move away from each other to try to make their lives better. The sentiment of "if I had known how much I'd have missed you, I would have stayed" is so empty, so...chosen, to make somebody feel better. But do you feel better when you listen to this song? Does the military-tapping of sticks, solo in a dark room, do the sad coughs of trumpets, standing leaned on the kitchen counter, staring at the floor, happen in songs of hope an promise? These questions have assumed answers. [Buy]
--
Also: CONTEST!!
yes, with the end of Sean's Knife contest still smarting in our brains (great entries, as always!) here I come with one of my own: THE CHAD VANGAALEN DAN-ALOGY CONTEST.
Subpop has graciously offered 2 copies of the new Skelliconnection by Mr. VanG, and I'm in charge of finding those deserving 2 who will receive these discs (complete with stickers and stuff).
so here's how it works:
--complete the following analogy--
me : my father :: ______ : _______
as an example, me : my father :: Paris Hilton : Neutral Milk Hotel (yes)
okay, this is a quick contest for quick winners, entry window closes at midnight on wednesday August 23rd, 'cause that's when I'll start posting next. send your entries to dan@saidthegramophone.com. I look forward to reading.
Roy Orbison - "Crying"
Andrew,
I heard what you said when I walked away today. Do you think I'm deaf? I bet you think you're pretty funny in front of your friends, but you're different when we're alone. Or at least you were different. But maybe you're just an asshole, I don't know. I still know your combination, and my brother never liked you in the first place. I'd watch your back if I was you, and don't try to apologise on my myspace again. That's really wussy. I used to think you were sensitive, but now I just think you're wussy. Maybe your friends would like to know how you ask God to help you talk to girls.
sincerely,
Jessica G.
[Buy]
--
Horse Feathers - "Blood on the Snow"
Andrew,
I got your note. Needless to say, I'm upset, but I think I understand what's going on. This is just one of your bouts of selfishness that bleeds and practically ejaculates onto the other people in your life. What am I supposed to tell F and T? That their dad is more of a child than they are? I think it'll be a while before they actually get that. Well, you can go be stupid somewhere for a while, but in the meantime, I'm embroiled, I'm entangled, in the life we had set up for ourselves. So...I guess I'll be here when you get back.
- J
[Pre-Order Words Are Dead]
Sunparlour Players - "Pacifist's Anthem"
(before was a sample from their live ep, this is now a sample from their full-length, to convince you it's worth it)
All of Sunparlour Players' songs are set in the same place, at the same time. Specifically, no time and no place. Descriptively, a place made out of pink sunsets, pale blue dawns, waist-high whispy fields, light breezes. Houses in which only old people live, but families come to sleep. In the days they are working, helping to raise the sun, stir the lakes, guard the trees, turn the ground into food. In this song, we're near a ditch near a field, now we're in a ditch, and I hear a voice, yes, it's leaning back. [Buy Hymns for the Happy]
***
Smog - "I Feel Like the Mother of the World"
(we've explored this album before, but with the release of a new ep, on which this song is included, I'm reminded of (no, introduced to) how perfect it is)
This song is set inside of a tire. Rolling down a hill. With the 800 guitars (yes, eight hundred) swirling around you, top, bottom, top, bottom, there is the constant, your lap, your knees beside your eyes, which is his voice.
I want to die to this song.
[Buy Rock Bottom Riser EP] [Watch the amazing video on Popsheep]
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Ella Plevin.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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