Nethers - "Breastfeathers"
Headphones let you pretend your life is a movie. Here are some scenarios in which putting this song on would be cinematically apt:
i) you begin drawing for the first time in three years.
ii) you lose a baby (any kind).
iii) you decide to clean up an overturned garbage can.
Her confident, steady call (it's not a voice, it's more of a prayer) displays unused power, she shows restraint. I like that. [Site]
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Frank Stokes - "I Got Mine"
Frank Stokes is just a big sinner. He feels he deserves every bit of punishment that he gets. The guitar, tapping its toe, nods its head in agreement. [Buy]
Celebration - "China"
Whoever sings this song probably likes snakes. They probably have, like, three as pets. They probably feed them stuff that's not dead yet, because they think the snakes would like that. And they sing like a snake, the drums dance like a twisting and weaving head, the beep beep is sung with flashing eyes. Its weakness lies in that I never remember the song after it's finished; it's new every time. This is not actually a weaknessssssssssssssss. [Buy]
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Bodies of Water - "I Guess I'll Forget the Sound, I Guess, I Guess"
The first half of this song is being led into a wooded area (where sunlight drips, Pony da Look lives). The second half of the song is a promenade in a circle, ceremonial (where hands are held, Tilly and the Wall reads Updike). Bodies of Water are new children, nobody is just like their brothers and sisters. [site]
--
let me ask you some questions about myself.
Make Everyone Happy
A great razing. Like a big fuckin' forest fire, everything's a carpet now. And this is the celebration music. Bang crash bang crash bang crash bang. And then the birds come, the banjo stands up, ugly. This song is intended, at 3.25 on both clocks, to bash your ears so hard together that you sneeze, and you prove that you have no brain.
Virgin Mary Highway
I see midnight grass, garbage, a parking lot lit like a war helmet in a museum. we were never there, but we're there now. Come on, babe. I'll deny your existence if anyone asks me. Our love was recorded on analog tape. It was a live show. Best show I've ever been to.
Neil Young - "The Painter"
I've known a few painters in my life. And it seems there is a range of kinds: the two extremes being the painters in, say, Malkmus' world and, the other, the ones in Neil Young's world. I've known both, but this song is about who my heart is currently with: the latter kind. They have humility and pride, the best kinds of each, honesty, and I love them, suddenly, and in bursts. And you will love the painter in this song too, for sure, because trying to ignore Young's own infectious love for them (I think "her") is like trying to ignore someone who's hugging you.
Neil Young - "Man Needs a Maid (feat. the London Symphony Orchestra)"
Sometimes it's time. Tossing out a picture.
[buy]
Stone Jack Jones - "Smile"
Stone Jack Jones is from northern Alberta, he grew up on a farm there, and became a farmer just like his father. Married at a young age, he had to start working to support a wife and three boys. Then, at 43, his wife killed herself, and left in her note some information that lead the courts to believe his boys were no longer safe with him, so they were taken away. Then he made this album.
Stone Jack Jones - "Evermore"
Stone Jack Jones is from Connecticut. He travelled the country at 22, didn't we all, and met a girl from Maryland, in Los Angeles, of all places. He went to Dentistry school, she went to Pre-Law, dropped out. They settled in Portland, had twin daughters, one became addicted to bad choices, the other finished the Law school her mother couldn't, became tremendously successful. Then Stone's wife left him for a lawyer (unrelated), and left in her note some information that made it into this song, because he wrote this album right after she left.
[this comes out in February, but until then, his older stuff]
Okay, since memories are important, all three of today's things are from bands that got me involved with gramophone in the first place. And they're all in the style I used to write in: brief.
Alden Penner - "The Ghost of Creaky Crater"
You can fly over this song like a bored plane, but you'll be yanked in at 1:39. Don't be scared, your lunch will come out through your eyes. You'll be handed a tambourine, and we can tell if you're not singing, if you're just mouthing the words.
[availability problems]
--
The Diskettes - "Nöel"
The best "new" christmas song. It's not a sound-alike of a carol, it has no agenda, it's almost more about snow than about christmas; more about love than about happiness (these are mutually exclusive). It either has or hasn't importance that "Nöel" is also "know well".
note: I'm on a streak of 2 for tracks featuring umlauts. dare me.
[from the compilation Christmas Twee]
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And, there is a Wolf Parade video. I like it, it's pre-occupation with telling the story over any concern for slickness or polish is really endearing. via mtlshows
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The NPR story is up. on the radio that is. I love how Ounsworth had never heard of pitchfork. I wish I lived like that. big thanks to Jacob Ganz for the story, you did a great job, Jacob!
Frida Hyvönen - "Come Another Night"
Frida Hyvönen has surprises for you in a backpack made of old vinyl. For Hallowe'en, Frida Hyvönen goes as the chick from Today's Special. In English, Frida Hyvönen literally translates to "free having", which is the kind of time you spend when you listen to this song, no matter how busy you are. Frida Hyvönen knows you, but you do not know her. You'll know when you know her.
[site]
---
Spenking - "Vietnam Malaria Nostalgia"
Spencer Kingman's lyrics dart to and fro like a goldfish putting on a show. It's like he wrote fifty rhyming couplets one overtop the other, and then read it out loud, his microphone turned up so sensitive it can hear his mouth open. And the melody like walking on treetops, or jumping between puddles. Who does he write more "like", me or you?
[Buy]
---
Elsewhere: there's a highly interesting discussion going on about the Daily Show, in the comments of this blog, which was set in motion by a (possibly really old) article on this site.
oh, and MY list is in the "more" section today. the differences are subtle (we are a brotherhood) but they're there.
[more]
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Keith Andrew Shore.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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dan, your descriptions let me know nothing about what the music "really" sounds like, but the way you put it makes me want to download and listen every time. thank you.