Screaming Females - "Foul Mouth (Live)"
Every year I have an existential crisis in the week leading up to my birthday. This year it weirdly took the form of listening to all the Fugazi records on shuffle as I walked around town and thinking about how exciting it was to see them live. Sometimes they played album versions of the songs, but often they went on wild tangents, stretching short songs into epics, adding in strange timings or atonal solos. People tend to think of them as an ultra-serious political DC band, but in reality they were the post-hardcore Phish: a jam band. So I walked around moping, thinking that there was nothing equivalent today, no band as fiercely independent or wildly musical as my favourite band when I was seventeen, letting stupid nostalgia wash over me.
Then I went to see Screaming Females. My dear friend Kevin insisted I had to see them, even though I was tired and old. After two songs I had that feeling I used to get at Fugazi shows, of floating a bit, of not quite being able to process what was happening, of being totally swallowed up by the music. I can't quite process it even now. Marissa Paternoster has an enormous voice and while she sings she completely shreds non-stop on her guitar. And she's backed by a rock-solid rhythm section and when they play it's unreal and transcendent and completely wild. I just stood there in the crowd, watching, not even moving, trying to pay close attention. They were so fantastic. Fuck mopey nostalgia, there are so many great bands today. Happy birthday to me!
[buy records / bandcamp]
The Tragically Hip - "In Sarnia"
First, and most importantly: this song is very, very beautiful. It sounds like a dream of being underwater, or it sounds like one of the top five most wistful summer nights of your life. This song is deep deep deep blue and last night, biking home along the overpass, I had to pull over to the side and stop, with the cars all streaming past me, just because of how it felt to look at the late sunset and remember this song at the same time.
Lately, in between the bouts of horrible news, I have been talking to my friends about helplessness; the sense of being overcome, incapable, when bad things seem to be happening all around you, in front of your face and completely out of reach. Of all the shitty feelings out there in this life, this one might burn the hardest; the sense that the world is coming apart, or that you yourself are on fire, and the only thing you can do about it is just sit there and wait to be consumed. It is very hard to live inside this feeling. It might be the hardest one.
I have listened to this song like eight or nine times now, and each time I feel more and more strongly that I don't know how to hear it right. I don't know how to listen to an album by someone who has a kind of brain cancer that is only supposed to get worse. Especially not when that person is someone I don't know but who has taken up space in my life since my childhood; especially when their songs feel as frenzied and loose and confident and hopeful as the ones on Man Machine Poem all do. Every time I've listened to this song I have felt knocked sideways by an enormous wave of pure feeling, but I do not feel capable of naming its constituent parts for you; I can't tell my sentiments from my thoughts, or its hope from my sadness from those sparkling guitar-sounds.
Here's what I've got so far: I think I am thankful that this song exists, and I think that it is hard to be always up to the challenges of being alive and paying attention in a world that sometimes (often) throws a mess of bad news at your feet and then just sits there waiting for you to untangle and learn or change or break against it. I think there is something to be learned from the feeling that swells in my ribcage every time I am made to see life for what it is: precarious and ungoverned by logic or fairness, lovely and terrible as a handful of lit matches. That lesson feels endless and impossible, but if I ever figure it out, I promise I will let you know.
[buy Man Machine Poem]
Palace - "Arise, Therefore" [Buy]
When you are grown up, you finally meet people who are like-minded in university or work or in your new city. You longed for this for a long time when you were a teenager. Finally I found my people. You surround yourself with your friends. They most likely share same fundamental ideology. Obviiously, there are little things you might disagree like soymilk in latte or, which one is better, gatorage or powerade? Those are dumb little things you won't care if disagree. You go to the place your people go.
Pretty much all of your facebook friends are your people but then, you see your aunt sharing something you don't agree with or your cousin saying homophobic stuff, or your childhood friend works for big oil company brags his materialistic life style.
All of sudden, you realize that there are a lot of people who don't share same ideology as you. They are people too but different from your friends and my friends.
When tragedy happens, it blows my mind how many of people have totally opposite side of you. They seem to have no compassion for people.
I really dont know what exactly Im trying to say is but Im scared.
Some people in this world scare me.
Thank you to my friends who are open-minded and compassionate about others.
What I can do to make it better world is the question I asked everyday lately. Even when I'm pooping.
Snow Roller - "Too Good".
Snow Roller - "Kar Kar Binks".
Sometimes Snow Roller's guitars are ding-dong doorbell, sometimes ding-dong cake or ding-dong mixed nuts. Sometimes their guitars are ding-dong the witch is dead. Imagine an electrified doorbell, joy-buzzer style. An electrified valentine. A young man in love with a mile of electric fence. It's an undangerous danger, like certain kinds of crushes or drunkennesses. The way a guitar part can feel utterly new, just-written, while also nostalgic - awash in dreams of Weezer's Blue Album or even Jimmy Eat World's Clarity, as if it's a cover run too-many-times through Google Translate. These songs are tiny clubhouses, Ronald McDonald cabooses (cabeese?) full of friends. They are first dates, last dates, mixtapes written but never delivered. Did I mention those guitar sounds? I want to go sledding in summer - somehow for there to be sledding in summer, in flying snow, arcing jumps, ice and frost and all the summer blaze, beer or sangria and cats shimmering in the heat, the tin drumming of downpour rain, and all that wind. (thanks Hamza)
[bandcamp]
Un Blonde - "On My Grind"
Un Blonde - "Trust Your Judgement"
Un Blonde - "Exercise A"
A body built for summer: all your nerves replaced with those thin, silvery cables they use in telephone wire, the kind the light runs through, so you walk around swallowing sunshine, glow like a constellation in your sleep.
[buy Good Will Come To You]
11:57 AM on Jun 12, 2016.
Fake Buildings- "July 5th(Buying Gold)"
Fake Buildings - "March 21st (Matadør Records)" [Bandcamp]
After a long day at my studio, I often get home close to midnight. There is only rice in my precious rice cooker my parents brought it. It keeps the rice warm without drying them up. It's fresher than Billy Corgan shoved his head and became Mr. Clean in late 90's. I care about the quality of my rice. Sometimes, I have this imaginable Smiths cover band called, "Takahashis"(one of the most common Japanese last name as well as my last name,) and I sing a hit song called, "There is a rice that never runs out"
the end.
ps. I think I might told this story before. If I did, my apologies.
and thank you for nice comments! I read them all the time! It means alot.
Bjork - "Alarm Call"
Continued from Part One
Paul called the number scotch-taped to his console. The note was so old the tape had grown brittle and brown.
"Hello?" someone answered on the tenth ring.
"I'm calling from Outpost X, the alarm is going off."
"Huh?"
"The alarm!" Paul didn't know what else to say. The number had been in his peripheral vision during the past eighteen months of sitting, waiting, doing nothing. Whenever he imagined calling it, he never thought he would have to convince the person on the other end that something was actually happening.
"Outpost . . . X?"
"On the outer Ecrustean line. The alarm is going off!" He felt like it was buzzing a hole into his head.
"Hm. Well, it must be a glitch on your end. I've got your entire system on the screen in front of me and everything looks fine."
"But . . ."
"Don't take it personal kid," she told him. "But at this point your outpost is almost like, what's the word I'm looking for?" She paused. "Totally useless, that's it. With this new GRID technology we've got the whole Union on lock. These universal sensors, they're great. We can watch every known bio-unit. Heck, I'm looking at you right now. Woah - your core temperature is waaay up, and I'm sensing a major influx of adrenaline. Calm down buddy. It's okay. Also, take some B vitamins, according to the read-out you're deficient."
"But the alarm--"
"That's a glitch on your end. Call in the engineer to fix it. It's so old I can't override it from here."
Paul breathed out. He was finally starting to calm down. It was nothing but a false alarm. A Pincer invasion was unlikely, of course. The chances of it happening on his watch, after a hundred years of nothing, were infinitesimally small. But when the bell rang he was sure he was doomed.
"Oh, hey, that's weird," the voice on the phone perked up.
"What?" Paul asked nervously.
"According to this there's someone in the room with you. Maybe I didn't pick them up before because they're invisible - an invisible life form? Is that possible?"
"WHAT?" Paul back up against the wall. "Invisible life form?"
"Woah, yeah, okay. They're invisible and extremely vitamin D deficient. If they are there, which I can't say for sure, get them some supplements ASAP, okay?"
"But how do I protect myself from someone I can't see?"
"Well, that's a tough one, right? Let me check the manual."
The phone went dead. Paul felt something on his shoulder, and he turned to see the face of a Pincer fading in and out of visibility. He recognized it from the books he'd read. Then he began screaming at the top of his lungs.
To be continued . . .
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Kit Malo.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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