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a sylvester cat caper
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
DANGERDOOM - "Mince Meat". Oh yes sirs, it's MF Doom plus DJ Dangermouse, a pentatonic flute sample and Doom's marshy words. There's something almost Seussian about how this sounds, a 5,000 Fingers of Dr T scene, dark courtyard and strange spires. "Give the drummer some rum / I'm sure he could use a shot / just to get his queues hot / and make sure he don't lose a spot." It's dirty, though, like worn shoes and worn jackets. Crunch and strut, solid enough to hang your hat on. Instead of hooks, it's got antlers. This track's available on the Epitaph comp Punk-O-Rama [buy], and may be included on the duo's upcoming LP, which'll be affiliated with Adult Swim (?!). --- Tunng - "Mother's Daughter". I first heard Tunng at a Stockholm record shop, browsing the racks before an Arcade Fire gig. The cover is gorgeous, an interwoven print of faces, flowers, a rabbit, an owl. this is... tunng, it reads, in inky letters. There was a clipping stuck up next to the stack of CDs. The review was in Swedish but I recognized the words "The Books", so I asked to listen. Swedish folktronica! Hooray! Only it's not. I questioned the record clerk and he explained that Tunng are from England. This was for the best, really, as I didn't have to pay in Swedish crowns but could order in plain old quid when I got back to the UK. All this to say that I own Mother's Daughter and Other Songs and it's a fine, light piece of cloth, sewn with sequins. A long line of sound-alikes apply - The Books, The Beta Band, Kings of Convenience, Appendix Out, the Penguin Cafe Orchestra, - but the album's got a lovely breadth, bouncing between gauzy glitch and very trad britfolk ballads. "Mother's Daughter" is a great demo of all this: it opens with mixed up recordings and a skipping acoustic guitar, the grassy main melody appearing only half-way through, blended voices and the ebb/flow of sound. It feels at once like something here-and-now, something easy and tangible, and something that's just about to flickerdash away. [The album seems sold out at Simbiotic, but if someone finds another buy link, I will update accordingly.] --- Hope you didn't miss the new Arcade Fire track, below? --- Posted by Sean at June 7, 2005 6:47 PMComments
tuung is awesome, but i don't know where you can get more copies... Posted by cody at June 8, 2005 12:05 PMGreat post--love MF Doom. I recently posted him myself. Check it out and leave me a comment to let me know you were there! Posted by ekko at June 8, 2005 7:20 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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