MBV
Said the Gramophone - image by Danny Zabbal
by Dan

Bloodhouse - "Please Don't Meet Me"

Bloodhouse are the steps of the government maw. They're a mud-crusted portal. They warn in unknown tongues, fervently, rabidly, stricken. [Free]

Stay Calm - "Let Me Clear My Throat"

Stay Calm light candles, held in place by sugar. The heat from the flames spins a tiny windmill. The scoops of the windmill scoop up the sugar. In ten minutes there is nothing left. [Free]

by Sean
Horse medals


The Young - "Livin' Free". Rockchompers loungin', stretched out basalt on their monumental chaises longues. One rockchomper tosses a boulder into his mouth, chews. Another rockchomper sucks ferrous sluice through a straw. "Is there a better life than the life of a rockchomper?" A yellow butterfly circles the pool. Little granite children are doing something with a stick and a flowerpot. On a plastic patio table sits a platter of feldspar and talc. A radio is playing Tom Petty. The news is full of stories about the Greek debt crisis, Stanley Cup finals, but no one cares. By the back door, a teenaged rockchomper is getting, yes, stoned. [buy/tumblr/North American tour (Montreal on July 3)]


G.Rag Y Los Hermanos Patchekos - "Phoenix". Meanwhile, in Texas, a rockchomper is driving home from work. The grey highway glints. The rockchomper's stomach growls. There are cacti, along the side of the road; there are oryxes; there is lots of sand. The radio is singing "Free Fallin". The rockchomper is trying to feel excited about going home, joining his wife and two kids, chips off the ole block. But he is simply tired. He is tired of pouring his life into his work, like sludge from a concrete mixer. He is tired of his boss, who wears a BlueTooth headset at all times, who keeps a bowl of individually-wrapped garnets on her desk. He is tired of closing windows on his Windows PC. Sometimes the rockchomper clicks on different spots on his computer and clicks on Start and clicks on Shut Down and then lets his mouse hover over the spot that says Restart. He changes lanes. He squints. He watches a lone vulture dip in the sky, surging a warm air current, adjusting. [buy/Soundcloud/ G.Rag Y Los Hermanos Patchekos are from Munich, Germany]

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Wonderful German-language cover of the Aynsley Dunbar Retaliation's all-time-classic "Watch n Chain" at Hunt & Gather.

by Dan

Pilöt Kidz - "Sunshine"

Frank's first attempt at running away. His "things" packed in a bindle, similar to the ones he saw used by boxcar-hopping hobos in old cartoons, the illustrations of true, unshaven freedom. The contents of his tiny luggage: a copy of Casper's Summer Vacation, a pair of clean socks (most practical item), a tiny half-empty jar of peanut butter (no crackers or utensils), and a video game controller (more symbolic than anything, since it was without any of its counterparts, most notably electricity). He got all the way to the Becker's where some construction workers were ripping up the sidewalk in front. One of them, sunglass-ed and sweating, merely acknowledged Frank with a sunny nod, and he retreated in a grand u-turn that took him back behind the stinky dumpsters where he saw a dead crow and felt like praying. [Buy for 1€]

I Self Devine - "Hold On"

Evelyn is, obviously, valedictorian. She speaks with her chin raised slightly in the air, an arrogance that goes mostly unnoticed, or at least forgiven. She speaks about watching teachers turn into people, the way saying goodbye to military-style authority leaves us confused for the challenge of constant disorder in the outside world. She used the phrase "très facile" to describe some academic universal or other, a secreted and chiding pun on her ex, Trey, who sat listening and smiling, unaware. Edmund, having listened to her rehearsal, and cautioned her against many of the stranger elements of her speech, winced when it came by. An actual quote from her speech: "When I came to this school in 2007, I had one black person in my math class. In my last class, I had 6 people from visible minorities. I feel this is an improvement." [Buy]

by Sean
Pierrot


Here We Go Magic - "How Do I Know". Here We Go Magic's Luke Temple sings "How do I know", the lyrics not the song, like they are one long word, one onomatoepia, a pennant tied with silver wire. HowdoIknow, like the pinging sound of an aluminium baseball bat, hitting a single; HowdoIknow, like the blurry buzzing of a spring doorstopper; HowdoIknow, like a plucked heartstring. The whole song rests on that sound, that hook, that howdoIknow, and Temple acts as if the question is central to his existence, his worldview. He's wrong. The more important question is plainer. Not How-do-I-know? but simply Do I? Does he? Does he love you? And will the story's ending justify the lovely singing splendid run of its sound? [buy]


White Label - "Roberta". White Label are ruthless and sentimental plunderers. Here, the vocal from Roberta Flack's "Trade Winds" is stolen and reattributed, given to a new song. It's an uncanny result: "Trade Winds" was little-known to begin with, and White Label's arrangement feels like it could have been written in 1972. So "Roberta" ends up like a new old song, a kind of imaginary anachronism. In this age of remixes, re-dos and collages, "Roberta" still feels special and strange, rare. White Label have made something modest and beautiful, something whole - despite its origin in parts. [soundcloud]


(image source)

by Dan

Glen Campbell - "Wichita Lineman"

Edmund asked May to marry, and she agreed in a smiling kind of sigh. She agreed in the way a pillow sinks under your head, the way a leaf slowly seeks the sun, slow but without hesitation. From the perspective of the sun, all it can see are leaves, and the things that it can't see start slowly to die. [Buy]

by Dan

We Run - "Like"

Evelyn, 17, buys cocaine. From a subway snake who calls himself The Halfling. High, she gets a sleepy-eyed violence about her. At the bar she drops a guy's phone in a glass of beer. She passes cops and talks in gibberish. She jumps a parking meter, and wakes up in the sun, thinking how did she get this cut and that bruise. [Free]

by Sean

Jessie Ware - "110%". Strobelight effect on a blooming dogwood, blooms in quick motion; or else dogwood effect on a dancefloor scene, slip and turn. "Who's that girl?" murmurs a lilac sapling; "who's that flower?" rustles a poet. [buy]

by Dan

Chiddy Bang - "Breakfast"

Frank, 9, dances alone in his room. The house afternoon-empty, Alison out in the garden, this is Frank's time to be truly happy. He's doing a kind of swirly-hip thing, pumping his fist straight up in the air, like Funky Mario. His lungs are bursting, his butt stuck out like a sore thumb, his tucked-in jeans and squinted sullen eyes, he is in the midst of a truly shameless boogie. First communion certificate newly on the wall, bookshelf with too-young kids' books, blanket with puppies on it. Stucco ceiling no match for the lid-blowing he's doing.

[Buy]

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ELEANOR FRIEDBERGER CONTEST:

Thank you all for your contributions, the winner is: "FREE: one larger bride", for its elegance and whimsy, by Jason. I've emailed you, Jason.

by Sean

Mohammed Ali in a sweater


Adam & the Amethysts - "Drinking in LA" (Bran Van 3000 cover)
Freelove Fenner - "Mint" (Chevalier Avant Garde cover)

CJLO's You're Related: Montreal Artists Covering Montreal Artists compilation has three highlights: Snailhouse's doing Land of Talk's "It's Okay", Freelove Fenner doing "Mint", and Adam & the Amethysts' rendition of Bran Van 3000's cancon classic, "Drinking in LA". Each of these covers is its own song, beautiful and stand alone.

First let's talk about "Drinking in LA". Bran Van 3000's 1996 single (a hit in Canada, Italy, Ireland, Britain and Scandinavia - bot not the USA) has always been a strange creature, part booze-up party song, part hangover. Now a two-piece, StG favourites Adam & the Amethysts mine the song's melancholy, honing in on that central lyric: What the hell am I / doing drinking in LA / at 26? It's a question of fade, growup, entropy, disillusionment. Wisely, it is not reduced to a droopy acoustic cover: the original's strange happy-sad is still present, just in different proportions. There is joy in Rebecca Lessard's backing whoops, in the canter of snare. And the band have imbued this childhood favourite with their own markers of nostalgia - swimming reverb, drifting synths, harmony. Inadvertently, it recalls the Red House Painters, early Cat Power. And for my money, it is every bit as good as the original.

Conversely, Freelove Fenner are covering a song I've never listened to, by a band I've scarcely heard of. But their "Mint" is neat like spearmint, golden like taffy, one minute and fifty-nine seconds of righteous skimming softshoe. This song would sing in an empty ballroom, reflecting on open surfaces; and it would sing in a full one, while the dancers try their moves. There is a guitar solo like a sunlight doing parkour, like a small dog chasing a larger dog, and I want to listen to it until I die.

[Download these and the rest of You're Related, with proceeds to benefit the wonderful people at CJLO 1690AM.]

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Remember James Irwin? His luminous debut album is streaming now at Soundcloud.

We are giving away tickets to see Eleanor Friedberger and Hospitality in Montreal. Concert is on Saturday! Click here for contest details. And if that weren't enough, we are also giving away two tickets to see Khaira Arby and Pat Jordache at Sala on Monday. Khaira totally rejuvenated us in 2010, and the Jordache are one of the city's best indie rock bands. To enter, email sean@saidthegramophone.com with the name of your favourite thing in Timbuktu (Arby's home town). See you there.

Finally, I said it before & I'll say it again: I'm coming to Russia! Next month! If you live in Moscow or St Petersburg I would love to meet you, because I will be a lonely and stupefied Canadian.

(photo source)

by Dan

Oberhofer - "Homebro"

Alison's ideal home. Remote, off a rural road, with a gate and a small porch (planter and a swing chair). A bedhead lawn, sad-eye windows, and space enough on the back lot for a horse. It would have matted, padded winters and clear-sky summers, the earth would heal yearly, it would reset and somehow tell the future by keeping such open books. And in the house she would live with Frank, 9, and there would be one rule: no unmade decisions. Decisions must be made immediately, and the state of 'undecided' or 'i don't know' would simply not exist, and the parsing out of all things known would simply be a matter of time. [Buy]

Eleanor Friedberger - "Early Earthquake"

Eleanor Friedberger at the Vancouver airport. Her sunshine bangs take the edge off the morning, she sits sipping on a donut, tired of getting lilty every night. She takes out her notebook and sees the 6am scratches that don't seem to make much sense: "McDonald's in the duck pond, unwanted bastard managers trying to close the drop-in center." She smiles earphone to earphone and shuffles off to the gate, to SF and Charlotte and Westing and Claire. She passes Edmund, who has no idea who she is. [Buy]

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ATTN MONTREALERS: The Eleanor Friedberger Anagramous Tribute

Eleanor will be playing Montreal this Saturday, May 5, and Merge has offered us a couple tickets to give away. Leave your best anagrams of ELEANOR FRIEDBERGER in the comments, I'll choose a winner by THURS MAY 3 at 11:59PM EST.

I'll get it started: "Reindeer, or Elf-barge?"