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ALOYSIUS RADIO AND CO
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
The Radio Four - "How Much I Owe". The newest issue of the book-length journal known as Yeti has great drawings by Julianna Bright and Nicole J Georges, a collection of amazing pre-1950 photos (of Sydney, Australia crime-scenes and criminals), a conversation with Octavia Butler (rip), a suprisingly medicated tour-diary by Okkervil River's Will Sheff, and a hysterical, fascinating interview of Destroyer's Dan Bejar, by an 8 year old kid. It also has a free compilation CD with unreleased tracks by Page France, Okkervil River, We/Or/Me, The Blow -- and weirder things too. There's at least a couple of songs I'll probably end up sharing with you. This is one of 'em. As the liner-notes attest, these days "Radio 4" is likely to evoke either the BBC or a NY garage-rock band of the same name. But if we roll back to 1955, this was Radio Four: a "family quartet" about whom "not a whole heck of a lot" is known. I will infer what Mike McGonigal restrains himself from doing: if it was a family quartet, called the Radio Four, then clearly their last name must have been Radio. That's as far as I'm willing to extrapolate, so I'll turn to plain fiction as I name them, the Radio Four. Pop will be ole' Aloysius Radio, and maybe his younger brother Ishamael ("Ishkabibble") Radio. Aloysius' sons are both members of the Four: Marcus Radio later quits music to become an architect, specialising in steeples; Little Shelley Radio wins a trip to France when working as a refrigerator salesman and while there tries a truffle mushroom for the first time. He and his wife both decide that truffles are the truest signs of God they've ever seen, and devote the rest of their lives to the fungus. And while Marcus' steeples still stand; while Ishkabibble's burbling laugh is still remembered by citizens of Cranberry, MS; while Aloysius' grave-stone sits in strange proximity to the oldest weeping willow in the United States; and while Michelin-starred chefs across the American south will tell you of the Mr Radio who taught them everything they know about the truffle... it's "How Much I Owe" that had the greatest lasting impression on the happiness of humanity. Because every time the song is played, a soul is saved, an angel born, a lame man lifted to his feet and a bird kissed by the gold hot sun. [buy Yeti / try to buy the Radio Four on CD]
It starts so simply, so dully twilit, Glen Hansard singing his silly lines about a "bad bone inside of [him]". Please. And yeah then the violin comes in, the bass and drums - but still, no, there's nothing to trap you. A few lines catch your (my) ear, things that hook parts of your minds' eye - "You were naked on the balcony"... But no it's not until the closing minute and a half when you realise that all that came before was promise; the muddy moody indie rock just a path to a starry, sick sweet blur. "To die with you upon the vine," Hansard sings, and it is so fucking enticing. The guitars bloom like nightshade and the strings coax you all the way to where you break your own red beating heart. The new album by Ireland's The Frames is out now in Ireland. (Anti will be releasing it abroad in 2007.) [buy / The Frames' Glen Hansard is on a semi-solo tour in the USA in October]
Elsewhere: Tuwa's story about Shuggie Otis is absolutely one of my favourite posts of the year. Something that we struggle for on these very pages: a fiction about a song, saying more than the truth could. (If you like Said the Gramophone, I suspect you'll like this.) --- By the by, I'm not in Montreal but these would be my Pop Montreal picks (oh, what a lineup!): Wednesday, Oct 4. - Orillia Opry and Vashti Bunyan (Bunyan is really unexpectedly awesome, live); or else I'd do some hopping between Two Gallants, The Winks, and Damien Jurado Thursday, Oct 5 - Under Byen and Joanna Newsom (obv, but seriously bust over to see Basia Bulat's set when it's done) Friday, Oct 6 - Mocky and the Handsome Furs, but then def Islands in a hometown show Saturday, Oct 6 - man! Beirut and Akron/Family! Sunday, Oct 7 - Think it's possible to do The Acorn, Sunset Rubdown and The Constantines? Do try. Oh, and you kids might also be into seeing our own Mr Dan Beirne in conversation with Matt Fluxblog, Carl Zoilus, Andrew Pop and some other luminaries at this panel at McGill on Thursday. I guarantee it will be better than the biggie. (Sorry, Frank!) Posted by Sean at October 2, 2006 3:00 AMComments
If you like The Frames, you should also check out Glen's album from earlier this year with Czech singer Marketa Irglova. I'm not the band's biggest fan, but the solo/collaborative album - The Swell Season - is the best thing Hansard's ever done. It's really beautiful. Posted by Sinéad at October 2, 2006 6:01 AMHi Sinead. Thanks for the suggestion. I've actually got The Swell Season and haven't been at all taken with it. Feels very conventional to me; a retreading of things I've heard before. What do you like about it so much? Posted by Sean at October 2, 2006 6:10 AMHi Sean, I suppose it's something to do with the fact that every Frames album sounds like a variation on its predecessor and TSS offers something else. Maybe the balance that Marketa brings to the album too, but it sounds even more honest and raw than the Frames. Musically, I think it also takes more chances. Me not being a Frames fan doesn't matter - they're HUGE in Ireland. Also left you a comment on a post you had about Kelley Stoltz. Saw him in Dublin last week and he was amazing. Posted by Sinéad at October 2, 2006 6:28 AMHi Sean, thanks for the mention. It means a lot; I love your work here. That Radio Four song is something else; recording it was practically a humanitarian effort. I just picked up the last copy. ^_^ Posted by Tuwa at October 2, 2006 11:34 PMIt seems cruel to juxtapose these two songs. The Frames tune is overlong, overwrought and just plain dull about half the time. The Radio Four (Radio 4!) song starts with the refrain and never goes downhill from there. You can't put diffident work up against competition like this. An atheist, I love that third "Jeeeeezus!" beyond rationality. Get back to us with the Frames when they match it. Posted by wcw at October 4, 2006 9:01 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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