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caught in your looks
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
The Minus Story have come a long way. Cf. this Delusions of Adequacy review, where the writer finishes by saying "On more of a positive note, the artwork and layout of the CD were done in a very professional manner." Moebius Syndrome, the group's second record, was certainly a challenging work. Electric guitars stagger and fall into the drums, twined voices wail. Like the Frog Eyes drowning, Modest Mouse after twenty years stranded in Siberia. There's a lot to explore, strange notes to learn to understand, yet I couldn't help but hope they would pull things together a little for their next LP. And here we are in 2004 - The Captain is Dead, Let The Drum Corpse Dance has been released on Jagjaguwar, and while the band's "Wall of Crap" sound is still clearly present, the pieces slip more coherently together. An expressionistic mess that hints at (or even points to) meaning: it's only as confused as your own shakingblinking mind. The Minus Story - "It All Ends". This fractured track from Moebius Syndrome shows the band stepping down their familiar trail - a conventional indie-rock guitar in the middle, gnarled engines in the ditches, sharp&ugly bushes to either side. While the guitars sound a bit like Pinback, you'd never confuse Jordan Geiger's whine for Rob Crow's chant. Someone's crying for help, berating the clouds, tearing and scratching at canvas. It's sour and gnashing, but skillfully so. (And when it comes to the Moebius Syndrome artwork, Delusions of Adequacy is absolutely right. One of my favourite album covers of all time [and you may recognize some cough sympathetic imagery...]) The Minus Story - "Gravity Pulls". Like the bulk of The Captain Is Dead..., this is much easier to listen to than the above track: it's neither alienating nor even unpleasant. Backwards spinning guitars weave into a xylophone-dingling pop song, lyrics both desolate and warm. It's like a reassembled mirror; a dilapidated disco ball. There are shades of Olivia Tremor Control in the bustle, or even, by the time things really hit their stride (cue the choir!), the Flaming Lips. A gloomyjubilant hang-your-hat single. The Diskettes - "Girl with Sunglasses". The Diskettes are on a cross-Canada tour from most-of-the-time home Montreal to some-of-the-time home Victoria. Go see them. This is a clip from their lofi debut (the follow-up's on the way) - an orangesegment of sweet and near-perfect pop: boygirl harmonies, vinyl strings, road sounds in the background, a photosnap of love's highs. The Diskettes make it look so very easy; behind bedroom recordings and muffled laughs, we can forget the sheer genius of Dave's tumbling vocal melody at the chorus. Over Emily's soft held note, he speeds giddily by: "I really wanna go outside / just find a place so we can hide." Gosh! Slatch/Chromewaves broke the news this morning, and I confirmed it with the label this afternoon - Montreal's grandest band, The Arcade Fire, has signed to Merge. A 7" in June and a new LP in September. Colour me deliriously excited. A fond farewell to The Rub. Many, many thanks to those who contacted me about a gmail account. You deserve to have bands named after you. Posted by Sean at May 5, 2004 1:30 AMComments
I feel absolutely nothing Posted by Brian at May 6, 2004 9:37 AMwe used to call david barclay fuckface in highschool. Posted by Anonymous at May 6, 2004 9:50 PMARCADE FIRE GOT SIGNED??? SWEEEEEEEEEEEEEEET!!!!! Blasting No Cars Go this very moment. they are so fucking awesome. Posted by Keith at May 6, 2004 11:13 PMHello, I interviewed the Arcade Fire in February. Check it out @ http://jeremybrendan.blogspot.com/archives/2004_02_02_jeremybrendan_archive.html#107576180621743022 Win & Regine talk about keeping music and politics separate, their views on decriminalization of cannabis, and what MP3s will mean to musicians down the line. Cheers! Post a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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