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Fuck You For Liking Stuff
by Dan
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Stephen Malkmus - "Baby C'mon" It's 4:24. My brain is really nervous that whatever review I give, whatever statement I give, will seal me in a tomb of regret to wake up in later on. I want to be right. I want to convert you. okay, here goes:
I really believe that Malkmus is trying to Face some Truth, but his truth still looks and sounds like lies. It's 4:40 [if you're american, buy the single off iTunes] Posted by Dan at March 22, 2005 4:40 AMComments
Man, what a way to put it. I couldn't agree with you more - the new album irks me in a way the SM has done in the past, but with much more ferocity. Posted by Funtime Ben at March 22, 2005 9:44 AMi'm so confused. anyways, i like this song. between this and the one fluxblog posted i'm excited for the new album. quite a feat considering how much i dislike pig lib. Posted by george at March 22, 2005 11:21 AMat least it is short. Posted by bmr at March 22, 2005 2:59 PMReally, it's Malkmus. Attaching some sort of expectations to it based on some faux Pavementistic notions probably isn't the best idea. He's always been what he produces. And it's never been anything more or less than this album. Impenetrable lies? Not really. "Attaching some sort of expectations to it based on some faux Pavementistic notions probably isn't the best idea." I agree (well, maybe not with the term, but the idea). I hope I didn't give the impression I held the contrary opinion. "It's truth because there's no way of telling the difference at this point." Mmm, that doesn't hold with me. There are still lies and there is still truth. Take, for example, this song, I really feel like he's talking to himself when he says "hell's not far away, so baby c'mon". but he, or some one of equal authority (Spiral?), could, with perfect validity, say that no, that's a lie. So, in fact, everything's a lie if we can't distinguish the two, thus defeating the attempt of the title of the album. Unless the title itself is ironic, in which case, he must be really frigging despressed. Posted by Dan at March 22, 2005 6:29 PM"I agree (well, maybe not with the term, but the idea). I hope I didn't give the impression I held the contrary opinion." Yeah, I'm referring more to some of the negative backlash I've already seen leveled against it by others. Most people still seem to be riding on the wave that he's expected to change their lives like he did in 94' or else he's a failure. I don't like the term either, but it's been something he's been plagued with since launching a solo career. "So, in fact, everything's a lie if we can't distinguish the two, thus defeating the attempt of the title of the album. Unless the title itself is ironic, in which case, he must be really frigging despressed." See, I'm not so sure. While conventionally that's true, I'm not sure that's the response it's aiming for. He's never fused more than an ounce at a time of personability into his songs (and even when he does how can we be sure he's referring to himself.) So coming from an album formerly titled Hamburger Serenade, maybe we're the ones that are supposed to face the truth that he's never been or in fact been interested in being what we've made him out to be. Like you said in the entry, he, more than anyone, seems to be mystified by his stardom. And yeah, maybe it is a little depressing. Fact or fiction, the album's a pretty nice listen. Posted by Ampersand at March 22, 2005 7:41 PMI'm looking at the post in Netscape, and the paragraphy starting "Boy" is all crossed out. Don't know how to fix it though... Posted by Anonymous at March 22, 2005 9:45 PMPENCIL ROT ROXXXXXX!!!! p.s. He's clever, but I think dude just likes music. Of course there are musical allusions to Rod Stewart embedded so take that as you will. Posted by Roger at March 22, 2005 9:59 PMI still think he sounds happier on this record than he ever has, even if it's bullshit. All throughout the album, he looks at puzzling life situations and tries to accept the bright side of things. The truth, as he sees it, sounds like it is just him finding some form of acceptance of the thoughts that plague him. "The road to rejection/is better than no road at all" Posted by EJ at March 23, 2005 4:15 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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