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I'll Be Punished
by Dan
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Pulp - "Pink Glove (Peel Session)" -- Of Montreal - "Requiem for O.M.M.2. (Daytrotter Session)" NOTE: sample triangle will not work for this song. please visit the link to hear it. This reminds me of hearing Fiery Furnaces acoustic stuff, where the simplicity and strength of the melodies come up to the surface like pulling a house out of a lake. Woah, that was down there? Of course! What did you think the fish were living in? [the last time I wrote about this song] Posted by Dan at October 30, 2006 3:32 AMComments
Interesting post! I disagree, reading can always surprise you...but it's an interesting concept of understanding writing as the past tense. Posted by Sean at October 30, 2006 4:23 AMthe form of today's post is innovation & i like firsts. Posted by BMR at October 30, 2006 8:06 AMDan, this entire post is pretty astonishing. Way to go, man. Posted by Matthew at October 30, 2006 10:44 AMBrilliant. Posted by brian mcawesome at October 30, 2006 12:39 PMDan. you're lovely. No one ever writes about Pulp. I love Pulp. They're the best. So sexy. And your presentation is so innovative. that's why reading a book for the first time can be the absolute best thing imaginable because, it's an entire surprise. and if you have a memory like mine, it's there to read again in several years, ready to surprise you all over. keeep up the good work. Posted by matthew hovey kemp at November 4, 2006 12:47 PMPulp was coming to San Francisco, mid-'90s. I have no idea what was going on that night, but I couldn't get anyone to go with me, so I simply showed and went alone. Or maybe I went with someone dull. Either way, not my favorite way to see a show. They were playing the Fillmore, which I thought was a little big for them. This was late '94. The set list, of course, is online. That's how I know. Throughout, it was a mixed show. They worked hard, but the surprisingly packed crowd did not respond that much. JC (nice inits, huh?) tried to tell them how it went; he would hand off the energy to us, we were to hand it back. Good moments ('Razzmatazz', say) mixed with slack ones. Then he launched into Common People, which as I remember had not been released. The crowd perked up a little. Mr. Cocker sang his skinny little heart out. It worked. It worked in a way I have rarely seen before or since. A crowd full of strangers who had never heard a tune before that moment responded in a wave, in that way of which I am suspicious when the response is to a band's Big Hit. Except none of them had ever heard the song before. It was electric. That moment, I was convinced Pulp were the greatest band in the universe. I was, alas, equally convinced nobody else would ever care again. When has a great song ever guaranteed anything? That their composition became an international sensation was extremely gratifying. Still, never as great as that one moment. I think we recognized ourselves in those lyrics, we privileged hipoisie It was our confessional. Plus, it is an amazing tune. So yeah, thanks for the Pulp. Nice reminder. Posted by wcw at November 5, 2006 8:29 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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