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IT NEVER CEASES, DOES IT, SON?
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
I'm going to try to find some words about Pop Montreal, and the Bleating Heart Shows, a little later this week. Dan did a really fine job yesterday. I will say: go, go, go see Horse Feathers, playing this week in New York, Ridgewood, and Denver. --- The Limes - "Beyond Blue". The Limes finally altogether, literally in one room, a long-distance band making a song when they're at last close enough to high-five, shake hands, kiss lips, bang heads, jitterbug; whatever's appropriate. I can imagine them shy, tentative, playing their cherry-red and mint-green parts, standing at a distance. But the drums won't stand for this hesitation. People are shoved, coerced, cajoled. They're rumbled & tumbled. It's like what they sing, deep in their wall of sound: Loving until you're blue, til you're beyond blue, til you've been shaken & stirred to a place where you ache and show a crisp, bright, hard-sky glow. [MySpace] ![]() Minus Story - "We Are Both Dead". [buy] Every time you stop loving someone, your heart loses some of its blush. It vanishes. It's cancelled. You're a little colder, a little older, a little harder. You're a footstep closer to death. Both of you are. & you wonder which of your feelings you'll no longer have the capacity to feel again. How much less am I, today, than I was yesterday? --- Said the Gramophone has two more amazing banner graphics added to its rotation. Click reload a few times to see the work of Danny Zabbal and/or Matthew Feyld. Posted by Sean at October 9, 2007 12:05 AMComments
hey the new banners! cool! it was the k.a.s. banner that led me to and got me reading the blog in the 1st place. and i dig the new ones too! thanks for being visually and aurally cool. Posted by chris l. at October 9, 2007 10:08 AMI've loved that Billy Bragg track so much. PS - Sleeping States put on a fantastic show last Thursday, in spite of playing to fifty kids who came for Voxtrot. Thanks for pointing me in their direction -- chalk another one up for StG. Posted by Mark at October 9, 2007 12:29 PMHey, Who took that photo? I know it's the de facto convention of the internet to not give credit for images, but I'd think STG would strive for higher standards. Nice songs though. Keep up the good work. Posted by - at October 9, 2007 6:44 PMYou may have noticed that we always provide a photo credit where available. (In other words, we do strive for higher standards.) In this case, you are looking at a photograph that came to my hands without any attribution, and unfortunately I was unable to source it. This happens more than I'd like as I tend to collect stray images and prefer the weird and old to the new and recognizable. I appreciate the criticism, though. It's important that people recognise this as an issue and try to make sure attribution happens whenever possible. We could be better, too. Posted by sean at October 9, 2007 7:00 PMMy apologies; the first comment came across as too harsh. It's the fact that most other images appearing on STG are cited is what makes the stronger implication that uncited images are credited to the authors of each entry. This particular one stuck out as it seemed to strain belief that you had taken it yourself. Thanks for clearing that up. (and too bad that the source is unknown) Posted by - at October 9, 2007 7:15 PMi like that analysis of love better than all the gushy mushy stuff you've been posting lately, cause love can't be extricated from our awareness of our own mortality. the idea that everything will be OK if we just pour all our love into one person -- as expressed in an earlier entry-- made me angry; it seemed like such willful simplification. this blog is now almost like the soundtrack to yr diary. Posted by dirty at October 9, 2007 7:57 PMhello. i wanted to thank you for your words. i have been sneaking around on your blog for a few weeks now, and absolutely love your point of view on the music that i have already catagorized and analyzed myself. and introduction to the new too! keep up the stories of aloof interaction between souls. the one with the squeezebox is my personal favorite. Posted by Greg at October 10, 2007 12:31 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
to play a song in-browser (flash required), click the . to download a song, right-click the link and choose 'Save as...'
all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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