It Was So Little
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
My computer broke. I thought I’d lost everything, which would have been a minor tragedy for man, a non-event for mankind. Miraculously, everything was recovered, and my computer works fine now. My repair guy didn’t seem to know what was wrong with it or how he fixed it, but I’m going to stop playing wallball with my computer and I’m going to start backing up my files.
Remembrance Day is also my editor, Max Maki’s birthday, and yesterday she reached the quarter century mark. She is a sometimes unsung hero of this blog, dutifully correcting my often incomprehensible prose and always suggesting “more jokes.” Happy birthday!
My birthday is Monday. Start thinking about what you want to get me. I was thinking about setting up a registry. Thoughts?
I know, I know, I’m way behind on this one, but it’s my birthday and I’ll write what I want to. Specifically (and I mean really specifically) I’d like to write about the interval of 2:18 to 3:08. The whole song is a sort of epiphanic climax. But maybe more like an eternally delayed climax. Because, though it starts off wildly tense, intensely regimented, infused with the spiritual fervor of gospel music, it manages to build and build, achieves unexpected heights, always delaying a release, maintaining tension as the volume and tempo increase. The fact that between 2:18 and 3:08 there is no release of tension despite the emergence of a magnificent crescendo is a special feat of musical composition. The song is possessed of such contained energy that I find my body affected. It’s hard to breathe with anything other than quick, short gasps. It is certainly not a song for dancing to. [Buy]
Z presents a new My Morning Jacket, one more enamored with the Flaming Lips than with CCR. I can’t say that for me it’s an entirely welcome change, but the songs remain like fine fillets of salmon: delicate and tender. And pink, and good with lemon. [Buy]Posted by Jordan at November 13, 2005 4:45 AM
That Wolf Parade song is easily the best song on the album...I mean, it's a great album, but it's probably one of my all-time favourite songs. Thanks for posting it!Posted by matthew at November 13, 2005 2:54 PM
That Flaming Lips song is spectacular. As is their cover of "If I Only Had A Brain." I'm loving The Flaming Lips these days.Posted by Caley at November 13, 2005 3:43 PM
The MMJ album is really growing on me--specifically "Into The Woods". What a song.
Wolf Parade? Nice. I saw them in Philly a few weeks ago. Great show, but these guys were a disorganized mess.Posted by Matt at November 13, 2005 7:06 PM
I'll Believe in Anything is my favourite wolf parade sone, thanks!!Posted by Anonymous at November 13, 2005 7:09 PM
Jordan, I got myself an 80 Gb exteral hard drive in fear of the very thing you opened your post with - losing it all! it's cheap and easy and lets us MP3 file'o'philes sleep at night...Posted by pete at November 13, 2005 7:46 PM
Well, until your external crashes. Always make redundant backups of anything important, and don't skimp an additional $20 to get the more reliable HD brand. But all disks fail, sooner or later.
Regardless of our Wolf Parade glut, "I'll Believe in Anything" was gonna be posted by me, sooner or later, so it's good that you beat me to it. This recording of it, and the EP recording of "Dinner Bells", are my favourite things they've done. I love the whirling whirring spirit of this song, like you say the way that the energy of the song bumps up (like from a side ring to the grandstand), without any of that clockwork hollerin' and guitar swarmin' letting up. It's a marvel of arrangement and of sound! Yay!
I'm also glad you posted on the MMJ, because I reacted with total ambivalence but was never a big fan, and was curious what you thought. Your words are wonderful, and succulent.
And Happy Birthday!Posted by Sean at November 13, 2005 8:04 PM
HAPPY BIRTHDAYPosted by Anonymous at November 13, 2005 10:07 PM
HAPPY BIRTHDAY!!!Posted by DAMAMA at November 13, 2005 10:21 PM
Didn't Dan post I'll Believe in Anything, maybe last spring sometime? It was already in my StG folder...Posted by alice at November 14, 2005 12:05 AM
Alice - I posted an earlier version of the song in February.Posted by Jordan at November 14, 2005 12:36 AM
HAAAAAAAAPPPPPPPPPPYYYY BIRTHDAYPosted by Tom at November 14, 2005 4:30 PM
that wolf parade track is fabulous, and your review of it is spot on.
(agree also with your review of Takk some months ago - what an album)Posted by Anonymous at November 17, 2005 12:16 PM
'I Believe...' - yes, an amazing song. But not one to dance to? I disagree. Perhaps not 'dancing' per se, but for whirling around arrhythmically in the grip of some sort of dervish, I think so.
I can't work out of I prefer the CBC session or the album version. The former is a ragged, off-kilter beast, while the song has been shaped into a hymn delivered with the force of a breeeblock for the album. Hmm.Posted by mr_glide at November 17, 2005 1:23 PM
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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our favourite blogs
(◊ means they write about music)
Back to the World
La Blogothèque ◊
Weird Canada ◊
Destination: Out ◊
A Grammar (Nitsuh Abebe) ◊
Ill Doctrine ◊
A London Salmagundi
Words and Music ◊
Petites planétes ◊
Gorilla vs Bear ◊
Silent Shout ◊
Clouds of Evil ◊
The Dolby Apposition ◊
Awesome Tapes from Africa ◊
Matana Roberts ◊
Pitchfork Reviews Reviews ◊
i like you [podcast]
Nicola Meighan ◊
CKUT Music ◊
Wattled Smoky Honeyeater ◊
The Clear-Minded Creative
Torture Garden ◊
Passion of the Weiss ◊
Juan and Only ◊
Then Play Long (Marcello Carlin) ◊
Coming Up For Air (Matt Forsythe)
my love for you is a stampede of horses
It's Nice That
Song, by Toad ◊
The Rest is Noise (Alex Ross) ◊
My Daguerreotype Boyfriend
The Hood Internet ◊
things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News