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Jumbling Towers
by Dan
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Jumbling Towers - "Put Your War Paint On" In this world of gray smiles and clammy hands and incessant, relentless power outages, candles are very important. There are many who believe that candle flames can be inhaled, that they can speak, that they have transformative powers. There is a legend of a young filthy ratter who burned a book he'd written in a candle flame, page by page, to make the words exist in the world. The effects of his efforts are now known as the Night of Hawks and Chains, the most heinous tradition in an already barbarous existence. It is said that only one child in a family of ten will survive this night. The limits of the body's acids and muscles are tested, the mind's tipping point, the spirit's very bottom. There is no grass wetter, colder, than the grass of that horrible dawn. Jumbling Towers have reached a near-crippling level of darkness with their new album, The Kanetown City Rips. They've generally been a creepy band, but in a Vincent Price kind of way, where it's a smirking kind of ghoul, a deep maniacal tongue-in-cheek kind of cackle. But that was the old Jumbling Towers, or perhaps just not the Jumbling Towers of this record. A band that used to squeeze blood out of their guitars, that would crash a cymbal wide enough to change the tides, is suddenly holding back. The drums have been muted, they're thudding instead of ringing, the guitars are lying dried on the beach. Kanetown is suddenly their Your Blues. But, as in Your Blues, it all feels like it has a purpose. One that may take getting used to, but will find you soon. The album tells a story, or rather gives impressions, of a turbulent and unwelcoming world. From the constant perspective of the "rips", which are kids, themes of adults deceiving children, fearmongering, and revolution abound. There's a throughline to this album that leaves you at once triumphant and unsettled. It's mysterious, unfriendly, and gorgeous. |this track is exclusive to Said the Gramophone, made available to us in advance by the band, so thanks to them for that. If you like them, see my past writings on them here, and here, and here| [MySpace] -- Elsewhere: would that this were real. via the Fiery Furnaces' twitter feed, you can feel those FF details between your fingers. Posted by Dan at December 11, 2009 12:16 AMComments
woo hoo! sounds like the grave. Posted by Check It at December 12, 2009 6:16 AMThats a nice picture you have put in the beginning. Its a very charming pic Posted by Polar s625x at December 29, 2009 1:01 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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