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march of death
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
It seems DJ Shadow and Zach De La Rocha have jumped onto the download-our-new-anti-war-song bandwagon. "March of Death" is a hilarious title, but much can be redeemed by the pairing of Shadow's outstanding ear and Zach's nearly hysterical, nearly self-parodic passion. Still, I have yet to hear an anti-war song from the past year that moves me in the least way. Actually, forget moving me - nothing's made an impression at all. The activist music seems to be trapped between two poles. It's either vague or specific: the former (as seen in "March of Death"'s lyrics) feels like a cheesy (if enraged) Hallmark card; the latter (see: The Beastie Boys or John Mellencamp) feels like a bad SNL satire. This has always been a problem for me; while many hail Bert Jansch's "Needle of Death" as his best work, I've always been put off by the fact that it's obviously, ostentatiously about heroin. I know, I know -- that's the point! -- but I still find the 'needle of death' schtick to be a vulgar intrusion on the resonance of the song. I suppose it's the same principle that makes K unable to listen to Gillian Welch's beautiful "Everything is Free" since I told her it was about Napster. The consequence of all this is that the music that has best answered my feelings about tragedy and war in the past two years has been classical music - Glenn Gould's early Goldberg Variations in particular. It speaks to fear, anger and hope, without making some eye-rolling metaphor linking Bush with Faust. There's more power, for me, in the subtlety. It's odd, though, that the music most affecting when it comes to the here-and-now's current events isn't the music of the here-and-now, but that of the distant past... The folk tradition compels artists to sing about what's going on, I guess. And the legacy of the 70s anti-war songs is felt (and appreciated) to this day. But there's a reason, I think, that people remember the simple chorus of "Give Peace a Chance" and not its convoluted verses. Maybe Zach, John, Bruce and the Beasties have something to learn... (maybe so do I). Posted by Sean at March 21, 2003 4:01 PMComments
dude the lyrics to march of death are amazing. He speaks the truth in his lyrics so how can you say its wack or hes jumping on the band wagon. go suck bush's cock u faggot Posted by Usuck at November 20, 2003 2:42 AMPost a comment |
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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