In 2004, Howard Bilerman, the producer/engineer of albums by Silver Mt. Zion, Arcade Fire, British Sea Power, Basia Bulat and many more, wrote one of Said the Gramophone's first guestposts. In the midst of praising Bob Dylan's "One of Us Must Know (Sooner or Later)", he called "Rainy Day Women #12 & 35" "the weakest lead off track to ever grace a masterpiece". More than five years later, he wrote to me with a correction.

Bob Dylan - "Rainy Day Women #12 & 35" [buy]

a few years ago, I wrote about blonde on blonde for this blog, and while doing so, I called "rainy day women" some unflattering things. I am currently preparing to interview bob johnston, producer of said song, and after listening again, I would like to say I might have missed the point. I confess, I got caught up in the novelty of the song...the laughter....the inside jokes...the seemingly meaningless title. I also confess, I got hung up on the chorus, taking it literally. not being someone who endorses drug culture, "everybody must get stoned" was not something I could get behind. this was further soldified by going to see Dylan, and having everyone around me chit-chat during "it's all over now baby blue", but leap to their feet in sing-along fashion to the chorus of rainy-day women. but, I realized, this is no drug song. the anthemic chorus exclipsed the verses, but the verses tell us about getting stoned, ie: "cast the first stone". and after listening this weekend, I hear dylan telling a much different story. one about people being judgemental...one about being under scrutiny...one about being misunderstood. and, ironically, in terms of this song, I am guilty as charged on all counts. this song is just as much about small-mindedness and oppression, as it is about getting high. i am loathe to try to get inside dylan's mind, but in the wake of the judas-heckling "dylan goes electric" period, "they'll stone you when you're playing your guitar" takes on a whole new meaning. and so, with this new found perspective, i listened again. and what i hear are a bunch of people in a room...just playing together. it has a "realness" that, despite me still feeling is a bit "nudge nudge, wink wink", is honest in ways you rarely hear on record anymore. to place it as the leadoff track announces the mission statement of the recording. this is what happens when people gather in a studio, and make music. it's about documentation, not magic tricks. I wrote this song off...I was wrong.

Howard Bilerman will be interviewing Bob Johnston (who produced not just Dylan, but Leonard Cohen, Simon & Garfunkel and Johnny Cash) this coming Friday, October 2, as part of Pop Montreal. The presentation is completely free and takes place 4-6pm at McGill's Tanna Schulich Hall, 527 Sherbrooke Street West.

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Pop Montreal 2009 starts today. (My guide here.) See you out there!