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remark able
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Fifths of Seven - "Echoes from a Wandered Path". Now here's something unexpected... Fifths of Seven are a new group, a collaboration between Spencer Krug of Wolf Parade (on piano and accordion), Beckie Foon of A Silver Mt. Zion and Set Fire to Flames (on cello), and Rachel Levine (of Cakelk) on mandolin. Spry From Bitter Anise Folds has been released on a small french label, Les Disques du soleil et de l'acier. It's a long, long way from the wrecked passion of Wolf Parade, and distant too from SMZ's ravaged hymns. Fifths of Seven devote themselves to the unadorned music of an instrumental trio, the play and interweave of themes, the flutter, rise and glow of a melody. More than anything it recalls Rachel's; deeply atmospheric, carefully pretty, an empty church chapel with dark Goya portraits on the wall. [buy] Mynah - "Evil Caribbean". Emma sent me this yesterday. I don't really know what to make of it. It's from Preface, the debut EP from New York's Mynah. It's fantastically compelling, running circles in my head, drawing me back and back and back. It's got fast bits and slower bits, mellow ones and noisy ones. It's also, in some ways, actually bad. But the melodrama and fumbles are just the flaws this song needs, the stuff that makes desperation and debauchery feel immediate, attractive. The Killers crossed with Antony & The Johnsons (okay, that's a little absurd. but-!). And if the lyrics make you squirm just turn it up because the next bit's going to have a disco-beat and the crunch of guitars - there's always a new bridge around the corner. I mean, there's even xylophone! [Download the rest!] ---- Elsewhere -- Poptext's got the new Charlotte Church single - no, wait, hold on! It's a pop song so great that Poptext left Church's name out of the writeup, lest anyone be inclined to ignore it. The drums smash through everything, everything, horns like demolition balls, and there's even unflinching undistracted solid go-go-go handclaps. I don't know why Abby keeps falling back on an apologist line - this is clearly fantastic, "Sweet Dreams My L.A. Ex" without the slink, high-flying and Rockette-kicking. Yay! Stereogum points to a great track by The Sun. I was going to make fun of their being described as "Spoon"-like, but I see a retraction has already been posted. Comments on that post suggest that they might suck as a band, but there's no getting away from "Must Be You"'s chartworthy Shins-meets-Bishop-Allen guitar-lickin' awesome. I think I should become friends with the Popsheep kids, because their posts are driving me wild with pleasure. Our tastes seem to be well in line; it's rare that a day goes past when they're not teaching me about something keenly wonderful. I had never heard of Sub Pop's Baptist Generals, but the tune they've posted is a dusty, twangy anthem, most reminiscent of the Daniel Johnston-fronted track on Okkervil River's Don't Fall In Love With Everyone You See. ---- And I'll take the mostly-silence to mean that I needn't tell you about Dungen. Hope you're all enjoying the record as much as me. Posted by Sean at May 17, 2005 8:12 PMComments
The Dungen disc is the best thing I've heard in a very long time. I don't even care that I can't understand the lyrics! Posted by John at May 18, 2005 8:45 AMI'm glad someone posted something from that Fifths of Seven disc. I think my copy is still in transit across the Atlantic. Thanks, Sean- nice write-up on both songs! Posted by Kevin at May 18, 2005 9:56 AMNot to be a comment-whore or anything, but re: that Sun track, I just listened to it and it sounds a whole hell of a lot like the Replacements' 'Can't Hardly Wait' (what with that cyclical guitar riff), plus Sun-dude's vocals are v. reminiscent of Westerberg. Posted by Kevin at May 18, 2005 1:45 PMThat 5ths of 7 track is gorgeous. I hear Satie and I like what I hear. Posted by Dan at May 18, 2005 10:02 PMIt is nice to know you like our weblog Sean because I know the only mp3 weblog that I read everyday and listen to every song is Said the gramophone. In fact dicovering Said the gramophone a while ago was the inspiration for creating Popsheep. Posted by jay at May 18, 2005 10:46 PMhooray for the baptists! i can't wait to hear some new material from them -- i think they're in the studio right now, recording. the last thing they released out into the wild was a cover of the mentos song, for a compilation CD for esopus magazine, which you might want to seek out. by the way, the okkervil river comparisons to the baptists are quite apt. okkervil river/shearwater and baptists are definitely fans and friends of each other. shearwater also sometimes does a cover of "fucked up life." Posted by kathryn at May 24, 2005 8:47 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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