RIGHT NEXT TO THE GRAVENHURST OPRY
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Orillia Opry isn't a person. It's two: Montreal's Daniel Noble and Emma Baxter. And Orillia Opry are releasing their second album, Lighthouse for the Stragglers' Eyes. And it's marvelous.
It's a record that seems modeled on one thing: on the harmony of Daniel and Emma's voices, on the smoke signals and sparks that their duets evoke. Sometimes their singing require a soft song, sometimes a loud one, often a little of each. And yet the result is not a glut of midtempo grey; it's a limber, supple thing, an album with moss on the north side and a hand on the east. Folk, and folk rock, that you could wear swinging on your neck as you bike down rue Bernard, screeching to a stop at the sight of your love's rosy face.
"I Lied" is the prettiest, and bitterest, break-up song that you'll hear this year. They sing their sadness with the plainest of adornment, with the evenest of tones. Such a fearsome, gentle chorus: "If you come back / come back with a heart attack". A heart attack! Like it's the easiest thing to sing, like there's nothing tightening in their chest as they stare you down. Like they're not going to go home and do the dishes, and put on a kettle, and forget to make the tea, and like they're not going to sit staring out the blank glass of the window reminiscing, and angry, and like they're not going to go in to the kitchen and see the cold kettle and boil some more water and like as the tap shushes at their fingertips they're not going to begin to cry like a dog, banging their fist against the sink in fury at themselves
"Shadow Shadow" is a rock song with a Neil Young poster on the wall, and it's a slow fade-in to the album, and it's more gold than silver. I want to own a small bell, a hand bell, and for that bell to rest on a shelf in my house. And inside the bell I'll hide "Shadow Shadow", and every time I ring it, the song will be there, ringing like a cathedral carillon, shaking all the burrs from my limbs, all the sand from my eyes, all the innocence from my blood, all the blood from my innocence. It's a song-title that ought to be written in all caps. "SHADOW SHADOW." An electric guitar solo that's already written in all caps. "RADADADA RARADADA DA OH DA DA OHOH fuck YES."
[ORILLIA OPRY have their album release on TUESDAY, OCTOBER 30th, at SALA in MONTREAL. You should GO. It will even end early enough to take the metro home, if that's your thing. In two weeks you can order the album but in the meantime buy their previous LP, Pandion Haliaetus.
And if you want to hear the rock song that will storm the Canadian indie charts just as soon as it gets the chance, visit the Orillia Opry MySpace and listen to the one called "Riverside 2". Oh lordy, let's have a bonfire by the train-tracks. (You're all invited.)]
[Photo of kudzu in the American south, of unknown origin.]Posted by Sean at October 18, 2007 8:00 AM
This was lovely, Sean. Thank you.Posted by rahawa at October 18, 2007 10:34 AM
I loved "Pandion" ('Treachery' was one of my go-to songs last year), and I'm very excited for the new one now. Thanks, Sean.Posted by Kevin at October 19, 2007 2:00 AM
their first record is amazing, too.
OO 4eva.Posted by harmony trowbridge at October 19, 2007 8:02 PM
the original reason I became attached to this blog was because of Dan's post on Lucky Wind from Pandion Haliaetus. Now I just feel like it has all come full circle.
camille - thank you for attributing credit to me, but it was in fact Jordan who posted about Orillia Opry's "Lucky Wind". not that anyone's counting, I just couldn't let this go unmentioned, I look up to both Sean and Jordan's writing and I wouldn't want to steal credit for their achievements.Posted by dan at October 27, 2007 5:02 AM
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
Said the Gramophone does not take advertising. We are supported by the incredible generosity of our readers. These were our donors in 2013.
our favourite blogs
(◊ means they write about music)
Back to the World
La Blogothèque ◊
Weird Canada ◊
Destination: Out ◊
A Grammar (Nitsuh Abebe) ◊
Ill Doctrine ◊
A London Salmagundi
Words and Music ◊
Petites planétes ◊
Gorilla vs Bear ◊
Silent Shout ◊
Clouds of Evil ◊
The Dolby Apposition ◊
Awesome Tapes from Africa ◊
Matana Roberts ◊
Pitchfork Reviews Reviews ◊
i like you [podcast]
Nicola Meighan ◊
CKUT Music ◊
Wattled Smoky Honeyeater ◊
The Clear-Minded Creative
Torture Garden ◊
Passion of the Weiss ◊
Juan and Only ◊
Then Play Long (Marcello Carlin) ◊
Coming Up For Air (Matt Forsythe)
my love for you is a stampede of horses
It's Nice That
Song, by Toad ◊
The Rest is Noise (Alex Ross) ◊
My Daguerreotype Boyfriend
The Hood Internet ◊
things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News