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Said the Guests: Arcade Fire (Will Butler)
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
The first time I saw Will Butler was at an Arcade Fire gig at Win and Brendan's apartment. They had stuck branches all around the ceiling, with apples hanging from twine. Win had the picture of an apple taped onto his guitar and Regine was handing out apples in the crowd. Lots of apples. And Win's brother was there, the famous brother, the kid from Chicago who had a spark in his eye and was playing his heart out on clarinet. Then he was yelling his heart out through a pylon, using it like a megaphone. There was something daring in him, this was certain. And although we hadn't yet exchanged even a word, I felt like I knew the guy. Like I knew the song "William Pierce Butler". Later I said hi, I said good show. Something like that. And he shook my hand. Eighteen months ago, I asked Said the Gramophone readers for suggestions of Scandinavian and Eastern European music. Will said I should look out for Psi Vojaci and Iva Bittova. I did. I also followed his later suggestions: I ate sweet dumplings from the children's menu at Prague's Imperial Cafe. I visited the ossuary in Kutna Hora. And then months later, I think on the streets of Amsterdam, I made a suggestion to Will: please, please write something for us. And now he has. Will: all my thanks. The rest of you: enjoy! -- Sean
So here’s some Czech rock and roll. Perhaps you’d like to hear the Plastic People of the Universe. Well, I don’t know them that well, and what I do know, I don’t like that much. I mean it’s fine and interesting and all, but just isn’t my cup of tea. So you can find that on your own, if you’d like. Here’s the underground Czech rock and roll I like best: Psi Vojaci (Psee Voh-yahtzee). Psi Vojaci (Dog Soldiers, in translation) formed in 1979, and opened for the Plastic People of the Universe (out of prison by that point) at various illegal shows. They weren’t allowed a license to perform until 1986 - at which point really angry punk rock and roll was getting popular. The government figured it’d better cut its losses and allow weird music that wasn’t expressly anti-government—anything to distract the kids. That reminds me — The Plastic People and Psi Vojaci and most of these bands didn’t really give a crap about politics. I mean, they weren’t singing diatribes against communism or against the government or anything. They just played dark, weird music. And that’s all they wanted to do. But the government only really approved of bland pop music or upbeat adult contemporary music. Not that the other music was illegal, mind you. But here’s the music: This is from Psi Vojaci’s first illegal album from 1980- Psi a vojaci. It was distributed by cassette tape - people making copies for their friends, etc. The lead singer and piano player Filip Topol is 14 in this recording. He sounds like he means what he’s saying, whatever it is that he’s saying. This is from their album Narod Psych Vojaku (Nation of Dog Soldiers). This recording is from the 1990s - Psi Vojaci went into a proper studio and recorded songs they hadn’t been able to record under the Communist regime and also re-recorded songs that they hadn’t really done justice to before (if you listed to the first song "Psi Vojaci," you can understand that they’d like to up the sound quality). "Ziletky" is pronounced "Zhiletky" and means "razors". "Zhiletky" comes from the word, wait for it - Gillette. The best a man can get. Truly the world's languages are a marvelous thing. Filip Topol and Agon Orchestra - "Ziletky" In 2000 the lead singer of Psi Vojaci worked with the Agon Orchestra (a fairly well respected Czech avant-garde orchestra) on orchestral versions of Psi Vojaci songs. This is a beautiful album. You can hear the clarinetist breathing. And you can hear his playing get ragged towards the end. These Czechs mean what they mean when they play music. This song "Ziletky" is the best stuff of Czech rock and roll. It’s really catchy, but not in a dancey way. The clarinet part isn’t that far off from "Take On Me" - but it’s melancholy and orchestral and Eastern European. And Filip Topol still sounds like he really means what he’s singing. Whatever it is that he’s singing. And here’s a bonus piece of music: Since we’re dealing with avant-garde orchestral versions of European rock and roll songs featuring lead singers yelling their vocals and sounding like they mean it, here’s the Ex Orchest with "Kokend Asfalt" (A version of The Ex’s song "State of Shock" performed by The Ex along with a bunch of loud instrument people). Have a safe and happy new year.
(Previous guest-blogs, in and out of the Said the Guests series: Al Kratina, Eugene Mirman, artist Dave Bailey, Agent Simple, artist Keith Andrew Shore, Owen Ashworth (Casiotone for the Painfully Alone), artist Kit Malo with Alden Penner (The Unicorns) 1 2, artist Rachell Sumpter, artist Katy Horan 1 2, David Barclay (The Diskettes), artist Drew Heffron, Carl Wilson, artist Tim Moore, Michael Nau (Page France), Devin Davis, Will Sheff (Okkervil River), Edward Droste (Grizzly Bear), Hello Saferide, Damon Krukowski (Damon & Naomi), Brian Michael Roff, Howard Bilerman (producer: Silver Mt. Zion, Arcade Fire, etc.). There are many more to come.) Posted by Sean at May 24, 2006 3:00 AMComments
Fantastically interesting entry - the music, the language, the history. Great! Thanks. Posted by Sam at May 24, 2006 12:14 AMwow! that was an earful to listen to, good stuff though, can't wait for the next arcade fire album Posted by Alex at May 24, 2006 12:20 AMAwesome post, awesome music. Posted by Tuwa at May 24, 2006 12:58 AMOh man, synchronicity. The velvet revolution and Vaclav Havel is being discussed in my college class right now, (and because it's a hippie liberal arts college, in a context where all kinds of crap is being discussed) but The Velvet Underground has not been mentioned. Thanks for this, it's fascinating. Posted by Anonymous at May 24, 2006 3:24 AMWow, Will and Sean! Thanks for the pointers. Another great Czech rock band is Dunaj -- think AC/DC meets Philip Glass. Posted by Michael Grant at May 24, 2006 10:08 AMThere's this band from old East Germany called the Klaus Renft Combo, who are a bit Stones-ish, and made a recording of the DDR official telling them that they are illegal, that they no longer exist. You can hear it on their Best Of. Posted by shane at May 24, 2006 10:31 AMthanks so much for this post! i'd like to see more stuff like this. maybe will butler could do a part ii? Posted by e at May 24, 2006 11:54 AMEveryone would be better off for czeching (ha ha) out Uz Jsme Doma as well. And www.noise.cz is home to a lot of amazing current underground Czech bands. Posted by aaron at May 24, 2006 3:58 PMamazing post sean! and will! thanks very much! Posted by matt at May 24, 2006 11:21 PMThanks , Sean, and Thanks!, Will. This is very cool stuff! And, am I hallucinating, or is the Arcade Fire in the direct line of descent from this? Posted by Akio at May 25, 2006 3:57 AMI like tata boys, cechomor (much helped by Jaz Coleman), Hypnotix (the lead singer is a childhood friend of mine from Canada), ecstasy of saint teresa, the list goes on and on. really love the arcade fire i'm blown away by this post. thank you so much for sharing this music with us. do you have any other great eastern european music to share? let us know. thank you. Posted by tim+ at May 26, 2006 12:59 PMLet's not forget: June 12th - World Cup - US vs Czech Republic Thanks for the music. Posted by Murf at May 26, 2006 3:25 PMThere's a song called "Barbara" by a band called "Umela Hmota" that is amazing. Well, the first half is amazing. The second half is about as bad as can get--an extended flute solo. But the first half is great. There're a lot of bad flute/sax solos in Czech rock. I forgot to mention, also, that at http://tamizdat.org you can listen to/buy just about any eastern european music you'd ever care to. Will Posted by Will at May 26, 2006 3:51 PMi was at that show at the apartment as well. my friend erin put those trees in for them. it was a real nice set up when no one was there. and i actually have the whole show recorded on a dictaphone that i had in my pocket. i had no idea they were gong to be so big. Posted by paul at May 27, 2006 9:56 AMso many of these pre-velvet revolution bands are bland copyists with their hearts in the right place, unfortunately there's few that actually make a worthwhile contribution to music... ducks and runs for cover... but where Czech Music really sings is in it's gypsy roots, Iva Bittova, Ida Kelarova, Vera Bila especially sing into your soul with a thousand years of sorrow and are well worth checking out. Check out Ida Kelarova's Romano Rat, literally anything by Iva bittova (except the collaborations with Javas, which are musically bland) and Bila Inferno by Vera Bila.... Stunning stuff. but avoid the czech rock... it'll bore the pants off you after you've forgotten the harrowing back-story... Czechchap
I think most musicians at all times everywhere are bland copyists with their hearts in the right place--unfortunately there's few that actually make a worthwhile contribution to music. What's nice about pre-revolution Czech rock is that, thanks to communist repression, there are so few bands to deal with. So there's a lot less crap. There's also less good maybe--but the ratio of good to bad is exactly the same as present day North America, or Brazil in the '60s or Germany in the '70s or the UK in the '80s or Austria in the 17th century. I also find it comforting that pre-revolution bands, no matter how shitty, actually wanted to make music--were willing to defy the semi-law in order to do so. These days, I think there are a good number of musicians who make music because they're bored in their bedrooms. It's like how smart people, if they can't find a job, will say, "Well, I guess I'll teach"--and then go on to become shitty teachers. These days I think artsy people who aren't particularly good anything say, "Well, I guess I'll make music, 'cause it's easy and what else am I gonna do?" But yes, Iva Bittova is great. Posted by Will at May 27, 2006 2:01 PMAnd dag nab it, Bile Inferno is by Iva Bittova, not the other lady. Posted by Will at May 27, 2006 2:27 PMKokend Asfalt has been one of my 'home alone turn it up to 11' tracks for a couple of years now- a very good call, sir. Posted by Robert P at May 30, 2006 7:53 PMBehind Czech regular scene there are couple of hidden talents like www.milcova.xf.cz or www.bandzone.cz/quitequiet/mp3 and others Posted by Petr at June 3, 2006 6:23 AMWill, Great stuff. Where was all of this when I had to write a paper for my Eastern European politics class on the Velvet Divorce? (I thought it was named for the love of Mel Torme). Did you come across any music related to the current movements in Belarus and the Urkaine? How does Drum Ecstasy fit into all of this? Drop me a line at (mylastname)@gmail.com - Matt Hardigree Posted by matth at June 7, 2006 6:00 PMyeah, czech rock is unbelieavable! lubor Posted by lubor at August 26, 2006 12:22 PMFor everyone interested in Czech music, I have started an MP3 blog called Funky Czech-In: http://blog.loukash.com/ cool, ive always been looking for this kind of music but it never really worked out Posted by mike at May 28, 2007 6:58 AMHello Sean! I stumbled across this site whilst searching for a suitable mailing address to use for Arcade Fire. I actually wanted to send Will something- they're my favorite band and it was his birthday last week. You said you were at their apartment? Obviously I'll understand if you don't want to share their address with me, but do you know of anywhere I could send a card for Will? Thanks. My email is rach3133@yahoo.com Posted by Rachel at October 13, 2007 2:29 PMPost a comment |
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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