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straw pole
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
[this is the fifth in a continuing series, exploring the music i discovered when travelling in europe last fall] To Poland! We arrived in Warsaw before dawn. We walked to our hostel through the worst snowstorm that Krakow, meanwhile, was one of the most joyous experiences on my trip. Wawel Palace and the older districts are individually characteristic, elegant, but then there's the sense that as the city extends, so too does a vivid cultural life, arts and individuality. We ate cheap pierogies for breakfast, lunch and dinner. We saw posters for the Cool Kids of Death. I bought music. Siekiera's fantastic 1986 album, Nowa Aleksandria, was entirely unknown to me, and it comes to my hands because of Paulo's comment on this blog. Thank-you, Paulo, wherever you are. "Ludzie wschodu" is icy and hot, it quickens the blood. It's cold wave from communist Poland, both awkward-hip and disorientingly alien. They sing in Polish, but amid post-punk keyboard stabs or the growl of the guitar, it's easy to understand the simple human noise of "hey!", "da da da" or "hey-ha". Joy Division is certainly a major touchstone (especially in the drums), but there's a greater fury here - unlike the Manchester boys, these Poles are expressing some of their pent-up feeling. A train-car rattles and then we're off, soles on a pavement, the arc and flare of street-lights, the long lure of an alley. 'Siekiera' means 'The Axes'. There's violence in the music, but also the ache of violence unexpressed. It's a chill that you shake off, a rage you vent spastically, in a basement. (And, like the whole of the album, it's awsesome.) [buy] On the other side of the spectrum - ROBOTOBIBOK. ROBOTOBIBOK - "Skipping C". This is a contemporary Polish alt.jazz combo, and "Skipping C" comes from 2004's Nawyki Przyrody. It's a wheeling mix of horns, drums, and a boiling vibraphone, energy and flowing feeling, then the skittering human fade-out of vocal sounds and song. Instead of being bored by the track's circular energy, I love it - there are brave stabs amid the repetition, streaming impulses that make each repeat a renewal, a reincarnation. It's a city's flow, the silver threads of streets, dawn's burst of population, swirling lanes, then the fade-out of sun, the emptying-out of those valleys. It's no surprise to me that the band's played next to both Fennesz and the Chicago Underground trio. Visit their website to buy the album, and to grab some more mp3s. --- Elsewhere: John at the Tofu Hut is looking to try something new. He is one of the hardest working mp3bloggers, spending countless hours on research and composition, far beyond the average amount of writing and scavenging. He is soliciting donations - regular donations - to see if he can't make a micropayment go at Tofu Hut full-time. I applaud his decision to resist advertising, and so too do I suspect he's the mp3blogger most deserving of financial support. Please head on over there and consider helping to support the work he does. (While you still can, you must also download Xn.'s glittering, stunning live cover of Sufjan Stevens' "Vito's Ordination Song".) Also loving this track at Stereogum, by (sixeyes faves) the Akron/Family. --- After yesterday's total silence, could someone comment today so that I know that the new comment system is working? (Thank-you!) Posted by Sean at April 12, 2005 8:55 AMComments
comment ahoy! Posted by geirge at April 12, 2005 9:25 AMIt's working. Love the music, love the writing. Ah hell, I love you too. Let's get married. Posted by Tuwa at April 12, 2005 11:22 AMGo Poland! Woo. Posted by Mike at April 12, 2005 12:19 PMloud and clear homie!! seems to work... Posted by mr g at April 12, 2005 4:57 PMI completely agree with you about advertising. It is deceptive brainwashing that attempts to reshape our personalities and egos so that they are dependant on giving corperations our blood, sweat, and tears. Thank you for resisting the urge to profit from my humanity. Posted by jaik at April 12, 2005 10:00 PMCant make head or tail of your articles. Still read them everyday !! Luv ya !! Posted by Zaidie Ben at April 13, 2005 6:10 PMJust thought I'd drop in with the lyrics and a rough translation for the Siekiera song. Czy tu się głowy ścina? *- as in the craftsman who makes things from wood or metal... So I hope this sheds some light for you all! Posted by Stefan at April 21, 2005 2:26 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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