THE DEPARTMENT OF LAMPLIGHTERS
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Feist - "I Feel It All". A song that springs a city into being, neighbourhood by neighbourhood; with each verse a borough, with each chorus a skyline, with each bridge a bridge. And when the xylophone rings, note by note, new parks burst from sidewalk cracks. She builds it and then they come: she sings a city and at once inhabits it. "I feel it all! I feel it all!" Fills the streets with lives, the skies with breath, sends water spraying through the fountains' rusted copper pipes. Towers soar, skies are scraped. The joy of a maybe, of all those million maybes, of a world too big for fate to contain it. For the wild card that's already "in sight"/"inside", the way even a string of heartbreaks makes a necklace, makes a life, makes a subway map.
I wasn't just ambivalent toward Feist's Let It Die -- I became antagonistic towards it. Boring music, brunch music, an album of lite & snoozy songs that, with the exception of (the remarkable) "Mushaboom", lacked even the whimsy of Norah Jones. So I ignored all the press about The Reminder, read not a single article, and was utterly blindsided when the new record turned out fantastic. Bird-like, sexy, personal, and with only about three dud tracks ("Limit To Your Love", "Intuition", "How My Heart Behaves"). Highly recommended.
Apteka - "The Sheet". If The Clientele were a punk band: people prone to fistfights with their brothers, with flicking light-switches til they break. If snowstorms shed sparks or cicadas caught fire. If you longed so much for something that you could never sleep again. Or if all your friends started playing electric guitars at once.
There's a surprisingly lovely & effective ongoing series at Music Is Art, where they invite various contributors to write about how particular songs have moved them at particular moments.
I make an appearance on this week's episode of Blog Fresh Radio, a podcast of songs introduced by musicbloggers. I talk briefly about Basia Bulat and her extraordinary song "I Was A Daughter".Posted by Sean at May 31, 2007 12:21 PM
I can't help but feel that "I Feel it All" is anything but one of the best songs of the year. I suppose I was turned off to much of the album due to its, to quote, brunch music sound...but after seeing Feist play the song while riding a city bus on Jimmy Kimmel Live I fell in love. She's such a talent and this track proves my sentiments true.Posted by Chris at May 31, 2007 12:32 PM
I agree with you about the song (of course!), but I don't feel anything that special in the Kimmel performance. Maybe I'm spoiled by Les Concerts a Emporter? She doesn't even do those Regine Chassagne-style "Ha!"s.Posted by Sean at May 31, 2007 12:44 PM
The version of "I Feel it All" recorded for KCRW (I believe) is the best one I've heard and makes the song sound much fresher than the studio versionPosted by helen at June 1, 2007 2:13 PM
aw, "how my heart behaves" is a gorgeous song. i think there's a couple of duds on the album, but nothing to break it. it's one of the best albums of the year so far, imo. only behind grinderman and frog eyes. feist loves making music and that joy comes through in her records (and shows). aw, "how my heart behaves" is a gorgeous song. i think there's a couple of duds on the album, but nothing to break it. it's one of the best albums of the year so far, imo. only behind grinderman and frog eyes. feist loves making music and that joy comes through in her records (and shows).Posted by phil at June 1, 2007 3:27 PM
Les chansons raté selon vous sont mes préférées :)Posted by Rémi at June 2, 2007 1:50 AM
thankyou so much for the mention, sean.. it is truly appreciated. hope you may like to be apart of the series sometime :)Posted by musicisart at June 4, 2007 9:30 AM
I quite enjoyed the first Feist album, probably because I was using it less as a musical adventure than as a spiritual balm. By this metric, the Feist track here is not as good--not as pretty, not as useful--though I'll grant that it does more. Sometimes prettiness is just enough, right?Posted by tuwa at June 8, 2007 10:52 AM
Hi, please allow me to get defensive. Thank you.Posted by tuwa at June 10, 2007 2:00 AM
Well, hello. Lonely around these parts, isn't it?
Sometimes, I suppose. How are you?
Getting along okay. You?
Can't complain. I got the new Feist and Sean's right; it is much better than the previous one.
Well, that's good. I'll be sure to tell him next time I see him.
All right, take care.
You too.Posted by tuwa at August 2, 2007 8:36 PM
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
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Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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our favourite blogs
(◊ means they write about music)
Back to the World
La Blogothèque ◊
Weird Canada ◊
Destination: Out ◊
A Grammar (Nitsuh Abebe) ◊
Ill Doctrine ◊
A London Salmagundi
Words and Music ◊
Petites planétes ◊
Gorilla vs Bear ◊
Silent Shout ◊
Clouds of Evil ◊
The Dolby Apposition ◊
Awesome Tapes from Africa ◊
Matana Roberts ◊
Pitchfork Reviews Reviews ◊
i like you [podcast]
Nicola Meighan ◊
CKUT Music ◊
Wattled Smoky Honeyeater ◊
The Clear-Minded Creative
Torture Garden ◊
Passion of the Weiss ◊
Juan and Only ◊
Then Play Long (Marcello Carlin) ◊
Coming Up For Air (Matt Forsythe)
my love for you is a stampede of horses
It's Nice That
Song, by Toad ◊
The Rest is Noise (Alex Ross) ◊
My Daguerreotype Boyfriend
The Hood Internet ◊
things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News