John Cage - "Music of Changes (Book I)"

Me: Experimental Music.

You: Boo. Damn it, boo.

YOU ARE NOT WRONG. I go to mp3 blogs every day, and if I was forced to swallow "experimental music" I would do it with a grimace too. But hear me out: try not to listen to it in the same way you listen to regular music. And that doesn't mean seriously, and smoking or something. I prefer to think of that picture of John Cage and try to imagine what shape this music would be, how would it look if it fell out of a jar, what it would spell if it were somehow translated into language.

large sections of the whole Music of Changes piece were composed by a randomizer on a computer; the composition uses every key and every volume (is that the word? from pppp to ffff) on the piano. It's not enjoyable to listen to, by any means. But that might (but totally could also not) be the point. It's like putting a bra on an unbalanced washing machine and trying to enjoy its belly dance; you start to wonder what you were even thinking when you were dancing down the street to a series of notes. And then I think of his face again.

[Art!]

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NMVF - "Gene the Machine"

We're getting a little more accessible. NMVF makes IDM (intelligent dance music?), but I don't like that genre, 'cause Autechre and Boards of Canada aren't making IDM, in my opinion, but I guess you gotta call it something.

This song is made using a modified Speak-n-Spell, and it's a squinky, almost twee little gem. Robo-kitty plans a dance and no one goes. Except Gene, the Machine, who dances a softshoe on a tarpaulin made of an oversized novelty cheque.

watch your ears on those high-pitched squeals. Fifteen Grand!

[More]
[How to Modify Sound-Producing Entities Into Instruments]

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Animalmonster - "Jumangi"

This is supposed to be the most accessible song today. And it totally is, it's a hypnotizing, droning stretch mark that pushes up the sidewalk a bit as it rumbles underneath. It's like a pink wind that moves in ribbons. It's unnerving, but at least it's alive.

[out of print]

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Also: if you live in Toronto, you should check out my friend Sarah's acclaimed experimental documentary Can You Love Me? at the Worldwide Shorts Film Festival. It does what any great short does: charms you, moves you, and makes it look so damn simple. It's playing today at 4.30 and Saturday (I'll be there!) at 9.15. check the schedule.