TO TELL THE TROOTH
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Surf Harp - "POOL BOY". I came to adore this song without ever listening to the words. I heard the words but I didn't listen to them. The lyrics were like geometric objects, floating place-holders, among all of "POOL BOY"'s crisscrossing pleasures. The content mattered less than the sound, and less than the drums' redoubled smashes, the squeaks of sax, the ladders of guitars all lonesome, crowded, west. It was only when I sat down to write about this song that I paid attention to what Surf Harp's singer is singing. Only then did I try to squint with my ears, straining to understand. Only then did I read the lyrics on the band's bandcamp page. And so I come to you from the other side, the land of full comprehension, with advice: the words don't matter very much. They are vivid and melting and good, they are broken and knitted at the same time. But they matter less than the fact of them as geometric objects, the sound of them alone or in chorus; they matter less than the smashes, the sax, the crowded guitars. Talk is cheap, cacophony is precious. You don't need plain poetry with your sweet-and-sourest pop music, your brightest darts of dab. You don't need someone murmuring advice. Mostly you need the song to hit the hot air and soar. To glide and glide, higher, as the sunset turns its colour. To float forever, past the fadeout, into the eye.
[Surf Harp are from Baltimore / they're kinda magnificent / buy PEEL and make them yours]Posted by Sean at April 4, 2016 11:25 PM
An amazing review of this song. I'd agree completely. It's amazing when you can get lost in a song like this. Going to have to give this more than one listen to really appreciate everything going on in it.Posted by Jordan at April 5, 2016 9:46 AM
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Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News