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woo wit!
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
It's 2003 all over again. Or the first half of 2004. Or something. Although it had hardly left, sexy electro pop is back. Fischerspooner and Jewel introduced us, and now it's... um... Belle & Sebastian and Mouse on Mars. Belle & Sebastian - "Your Cover's Blown". Ok. On Dear Catastrophe Waitress, B&S were breaking free of some of their accumulated hackles. Here, on the lead-off track from the upcoming Books EP, they've turned those hackles back into hand-cuffs and are using them to seduce-and-entrap unwitting shy kids. A fellow called fsolinger passed this my way, and he puts it rather well: "like 'stay loose,' with larry levan on the mix instead of trevor horn." Sliding, cheapskate discopop opens the song, and then in the second half they do a 45-degree turn, pull out the backup vocals, let an electric guitar curl up round the dance-steps (but not before they go all Tarantino for a second). Like the themesong for a late-80s movie about the Working Woman Who Cuts Loose. (I will update this post with any witty two- or three-word descriptions that appear in the comments. Help me out, yo.) Thus far: vinyl cardigan music; daft funk; shit sandwich; Japanglish Beatles tribute. Mouse on Mars - "Wipe that Sound". A terrific slice of juddering dance music, Daft Punk with a hangup. If Mouse on Mars was once the link between Mum and Amon Tobin, tis' no more the case: this is a heavy groove, robot-moving electro-dance. Squelching, stamping, squirreling up and down like a broken cell-phone tweet. Is that "move it" or "woo-wit"?!?! I want to know!!!! Or maybe I want to dance!!! I don't know!!! From their upcoming Radical Connector. [This is good.] (Thanks, Toiletduck.) Canadian Leadership Debate was last night/tonight. Julian, Jordan and I decided that we wanted Gilles Duceppe to be wearing a linen suit, with a tiny gramophone he can hold in his hand, playing records by la Balduc, while a icing-decked birthday cake sits on the podium beside him. He should also have a rickshaw driver waiting to take him away. He was like a superman up there: I can do anything and it doesn't matter! Yes! ps: go ndp! Posted by Sean at June 16, 2004 1:57 AMComments
WTF. Posted by queso at June 16, 2004 8:46 AMdamn the other half of the comment never appeared. No good two/three-word summations for the B&S song (best I can do is "Long Train Runnin' Gone Horribly RIGHT"), but I want to thank you for posting this. Buzz on "Your Cover's Blown" has been pretty big and I was dying to hear it while I waited for the import single to hit the shops. Not sure if it lives up to the hype (an "epic"? Not so much), but it's a ton o' fun, for sure. Posted by Max at June 16, 2004 10:37 AMYeah, the B&S track has had lots of hype, and hearing it is definitely...WTF material. Not quite as epic as I've expected but then I've been listening to Godspeed You Black Emperor a bit today. But it's quite good, and growing on me after a few listens. 'daft funk' seems appropriate to me. Posted by Anonymous at June 16, 2004 11:42 AMShit sandwich Posted by Eric at June 16, 2004 11:46 AMThat B&S track - wow! Like Franz Ferdinand and The Strokes are riding in the backseat of B&S's sell-out car cranking "Thriller" through a pink stereo. Posted by sst at June 16, 2004 1:04 PM"Japanglish Beatles tribute" Wipe That Sound: Boooo! Hisss! Canadian Leadership: Hoorah! Yay! Posted by Andrew at June 16, 2004 2:03 PM"Cover's Blown". if Ray Davies was in the Stone Roses (in 1989). for some reason, in the beginning, i had a pang of Ace of Base...someone help me! all that said, i like it just the same. Posted by scandal face at June 16, 2004 3:57 PMGood lord it's like Gary Numan having a knife fight with Donna Summer at a roller rink. At least I wouldn't have have guessed in a hundred years this was B&S. Can you really scrawl into a ratty journal in a slouch-shouldered cardigan to this? Posted by chris at June 16, 2004 8:17 PMLove the belle and sebastian. I really liked 'dear catastrophe waitress' and this seems to be going a different direction. I like pretty much everythings this bunch does (except when it gets boring, see storytelling). I look forward to the album. Posted by Stretch at June 17, 2004 12:43 AMHaha - Chris, that's terrific. Knife fight with lavender tea during the breaks. I really like the song, but I'm not so sold on this as a direction for Belle and Sebastian. I'm still nostalgic for the halcyon days of Sinister. I'm with you on the Storytelling thing, Ken. It's funny, though... When I saw Belle and Sebastian in Montreal a few years ago, the thing I was most struck with was how much more, um, buff Stuart Murdoch looked than I expected. With the gelled hair and big shoulders (despite his diminutive height and, yes, cardigan), he looked more like a swiss pop star than a rumpled scottish wallflower. In many ways, this kinda music (and on Waitress) suits that aesthetic more: it's more upfront and assertive. It's as if when Isobel left he cast off those lingering indie-crush trappings and embraced the (intelligent) clubgoer who was left behind. Maybe. Posted by Sean at June 17, 2004 1:51 AMdisco stu Posted by vilkas at June 17, 2004 1:55 AMLove the B&S song. I listened to it four times this morning, which seems a bit excessive. Posted by JKelly at June 22, 2004 2:31 PMwipe that sound: the single best production of the year 2004. unbelievable genius. andi toma, jan st. werner & dodo nkishi will be canonized for their work. Posted by wes bunting at October 31, 2004 5:25 PMPost a comment |
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by . 
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