BLACK DIAMOND
by Jeff
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.


 

blurry image of Frau playing live

Frau - "Punk Is My Boyfriend"
Frau - "Orca"

Frau do not banter between songs. There's only a short pause, as in Morse code, to signify the beginning of the next barrage of dots and dashes.

Then they blast through another discordant, irregular punk song. The guitar player thrashes as she repeats the jagged chords, the rhythm section lock in and propel the song forward at speed. The singer stares into the audience, or squints her eyes, or stomps her feet, all with intimidating power. Her voice alternates between speaking, yelling, screaming, and squeaking in a high register. This summer is ruled by the women vocalists of Downtown Boys, Sheer Mag, and Vexx, and Ash from Frau is up there with the best of them. Every squeak and squeal is menacing, searing.

With two singles and a demo tape to their name, Frau somehow embody several contradictory strains of punk rock, from the Anarcho rat-a-tat of Crass to the rantings of The Fall, from the sunny primitiveness of Beat Happening to the black-as-night nihilism of Poison Idea. Their music lies on the borderlands between the cool affect of minimal punk and the psychological darklands of hardcore. On stage, the tension between these two poles exerts an enormous pressure. Each Frau song is a perfect black diamond, sharp and hard.

During their set in Montreal I threw my fist up, danced wobbly, and yelled my appreciation. They came all the way from London just to play a twenty-five minute set. There was no time for banter.

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(image source)

Posted by Jeff at August 11, 2015 7:03 PM
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Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.

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