by Dan
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.



Dur-Dur Band - "Garsore Waa Ilaah"

The day we got a gun, I sat in the back of the dusty old pick-up, wondering if I breathed in enough gas fumes, if I could piss in the gas tank to get us farther. "You're going to get a sliver in your ass," said Jama, his eyes smiling, full of trouble. He always looked at me like a dog, waiting for my eyes to give a 'yes' in return. But today I wouldn't give a yes, my stomach was gnarled and knotted, like this tumorous road.

We jumped out at the top of the hill that looked out over the village, and Hassan just half-waved and drove off, and I wondered if he would be back at dusk like he promised, or if he'd be out of gas by then, his tank always Empty, never anything else. "What do you think she's doing right now? Fucking her brother?" I punched Jama hard, without even looking. He was smarter than me, funnier than me, but I was always stronger. And for that reason he would always look at me like a dog. He was talking about Yessina, the beautiful Yessina with the mole under her nose. She liked her brother, but lots of girls liked their brothers. If I had a sister, she would like me too, it doesn't mean I would fuck her. But I would fuck Yessina, I would marry her first, then I would fuck her.

And she lived here, in this village, and I wanted to see her, but we also had to get a gun. There was a meeting later in the week, and we needed to have a gun for the meeting. Not because anyone told us to, but because the older men with the red arm bands and the beards had lovely shiny guns, fresh from the Americans, and we wanted to at least have something.

We went down to see Gravas, who lived with his house half-dug into the ground. There was food out on the table, you could tell he was rich but was trying to hide it. It wasn't good for people to know you were rich. There were flies on his food, and he talked non-stop. He talked about the history of everything. "We used to be rats, stinking rats. Rodents. Can you believe that? You were a rat and now you want to buy a gun how old are you?" I didn't answer and treated him the way I treated Jama, just looked away and didn't flinch. It seemed like people respected you when you did that, maybe I could treat everyone like that and I would become a great man someday. "Here," he shoved it into my hand and I almost fell over it was so heavy, and I hadn't eaten. Jama kept looking at it, trying to touch its round barrel and hashed grip, I tried not to even look at it, I looked up and straight away, and kept thinking about Yessina. "Used to be that all of this was fertile ground, all thick grass like you've never seen, and then mountains rose up and trapped all the clouds, and now it's dry and dusty and hot. This used to be the greatest place on earth and now you have a gun that'll kill someone or probably yourself by accident." I looked Gravas straight in the eye and handed him his money. Jama and I left, the gun in my waistband held against me with the crook of my elbow as we walked. We were silent for some time.

We were getting to the edge of the village, far from Yessina's house, which to me glowed like a star in my mind, I always knew where it was, when suddenly Yessina came out of a white house with broken shutters. When she saw me she looked away, he eyes skimming along the road, no escape, then smiled. She tilted her face back, like she didn't care. And I felt how Jama must feel, how Gravas must feel, like a dog. "Turek," she said, as if we had planned to meet. "Is this Adib's house?" Jama trying to fight a battle for me. "Shut up, Jama," I hissed, "Yessina." I thought about the gun in my waistband. I saw the whole history of this place, I saw us all as rats, I saw Jama as a rat and Yessina as a rat. I thought of a mountain trapping clouds, collecting them like billfolds. I thought about my gun. And Adib came slowly out of his house, his steps like pooling water. He put his hand on Yessina's shoulder, and she closed her eyes, I think because it was now confusing who was the dog and who was the master. Jama looked at me, his eyes no longer smiling, his mouth ready to speak. I stepped closer to the two of them, looked at them both closer, "This is not your brother," I said, and me and Jama went up the hill to wait for Hassan whose tank was always Empty, never anything else.

[Another great release from ATFA, Feb 5] (image of a woman in Somalia in 1987, the year this song was recorded)

Posted by Dan at December 7, 2012 6:11 PM

didn't want that story to end. fantastic imagery

Posted by lauren at December 9, 2012 10:34 PM

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Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.

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Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.

Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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