To Do And Not To Do
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.


Galaxie 500 - "Strange"

Do you get the sense, like I do, that this song was recorded in a really tiny room; the three members of Galaxie 500 squished together, struggling, for lack of space, to move their hands, their fingers, their feet, to nod their heads?

How can something so standardly composed (G, D, and A minor, over and over again) - and without any instrumental virtuosity in its execution - sound so completely original? It's more than that rattly cymbal and it's more than the reverb soaked vocal performance.

This song is about alienation. About having been in your room for two days, reading and talking to yourself, and finally going outside where you're met with the bizarre, incomprehensible world. "Strange" sounds original because it manages to speak across time (1989 (could you tell?)) and place, from one inaccessible island to another. From their small self-contained solitude (world) to ours.

"Isn't it strange out there?"
"Yes. Thank you for noticing."

It should be noted that this Galaxie 500 is not the same as
the contemporary Quebec band of the same name. It should also be noted that if you're in the process of coming up with a band name, names which have been taken by famous and great bands (The Beatles, etc.) should not be considered. [Buy]


Ornette Coleman - "Lonely Woman"

Is "Lonely Woman" like a Virginia Woolf novel


After a few false starts the bass settles into a stilted, crying lament. The drums push it forward "c'mon, we hafta keep moving." But the bass's pain is unfolded and expanded by Coleman's sax and Cherry's trumpet. Harmonic complexity is displaced by melodic clarity. Coleman breaks free of Cherry and into a raunchy blues. Cherry likes this wallowing indulgence and lets out a "woo". This dispirits the drums. They slow down, "Ok. If it's too hard we can stop for just one moment. But we have our duties and we must carry on."

"Lonely Woman" is an internal struggle. It's a brief, self- indulgent escape from life. It simultaneously wants to push forward and to stop and feel sorry for itself. And when at the end of the song, the bass reaches the end of its sniffling rise and falls back down to its cadence, we get a sense of resolution and finally, reconciliation to carry on. [Buy]


Tomorrow: something (really) old and something (relatively) new (somewhat borrowed and a little bit blue).

Posted by Jordan at September 27, 2004 8:05 PM
Post a comment

(Please be patient, it can be slow.)
about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.

To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'

All songs are removed within a few weeks of posting.

Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.

If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz

Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.

If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.

"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.

Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.

Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.

Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.

Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Neale McDavitt-Van Fleet.
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.

Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
our patrons
Said the Gramophone does not take advertising. We are supported by the incredible generosity of our readers. These were our donors in 2013.
watch StG's wonderful video contest winners

our favourite blogs
(◊ means they write about music)

Back to the World
La Blogothèque
Weird Canada
Destination: Out
Endless Banquet
A Grammar (Nitsuh Abebe)
Ill Doctrine
A London Salmagundi
Words and Music
Petites planétes
Gorilla vs Bear
Silent Shout
Clouds of Evil
The Dolby Apposition
Awesome Tapes from Africa
Matana Roberts
Pitchfork Reviews Reviews
i like you [podcast]
Nicola Meighan
radiolab [podcast]
CKUT Music
plethoric pundrigrions
Wattled Smoky Honeyeater
The Clear-Minded Creative
Torture Garden
Passion of the Weiss
Juan and Only
Horses Think
White Hotel
Then Play Long (Marcello Carlin)
Uno Moralez
Coming Up For Air (Matt Forsythe)
my love for you is a stampede of horses
It's Nice That
Song, by Toad
In Focus
WTF [podcast]
The Rest is Noise (Alex Ross)
My Daguerreotype Boyfriend
The Hood Internet

things we like in Montreal
st-viateur bagel
café olimpico
Euro-Deli Batory
le pick up
kem coba
le couteau
au pied de cochon
mamie clafoutis
tourtière australienne
chez boris
alati caserta
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c

drawn + quarterly
+ bottines &c

casa + sala + the hotel
blue skies turn black
montreal improv theatre
passovah productions
le cagibi
cinema du parc
pop pmontreal
yoga teacher Thea Metcalfe

Cult Montreal
The Believer
The Morning News
The Skinny