This is the soundtrack to the secret hidden Cloud Level you can get to on Red, Yellow and Blue, that steady and stalwart shortlist contender for album of the year. If you listen to the album all the way through once but don't quite let it finish, then press back on the cd player and listen to the first second of every track right back up until the opener, and keep hovering there, in that first second of the first track, until you hear that clack-click-clack percussion start up, then you'll know you've reached the Cloud Level. Once you're up there it's just coins and stars and vines and you just have to jump jump jump to make the most of it. The sky looks black, but don't worry you can see everything just fine. Enjoy it, have fun up there, but you can never listen to the Cloud Level more than once, so take it all in the most you can. [Buy the fantastic Little Garçon EP]
Life used to be simple. Things used to cost less, people used to share more, things used to be a lot easier to do. Pictures used to take a long time to take, maps were more imaginative, farming was fun! But the differences are not just cultural, people used to be physically different in old times. People used to be shorter, like 6-inches tall, not everybody knows that. Boy, that was the way to live. Think of it, you could get everything you do now done if you were 6-inches tall. You could still use the internet, there'd be more food for everyone, I bet gas would be cheaper if we were still 6. Still 6 is what I call it 'cause I want to go back there so bad. In fact, it's a free country, I say we start living that way anyway. Just get back to the old ways, you know? Just find myself a coyote and just ride. [Buy (go to "store")]
This song will play in my head, and the rest of my day I will be found searching out the stars underneath people's shoes and the coins jangling in their car exhaust. And it will be beautiful. Thank you.
by Tessa Rianne McKinnell Alexanian, Sep 30, 2008
The Theater Fire song is a marionette puppet show, with frolicking beasts and marching children.
Thanks for the track!
by James, Sep 30, 2008
the Born Ruffians is so simply pleasing I'm not even going to try and explain it farther than that.
Light legless swimmers, graven telephone bugs, tambourinic candle flames, everything moves at least a little bit to the beat. Because I don't know who this song is meant for (I hear no pride in "all my friends are aliens, baby") I can only assume it's meant for me. The way forgetting to lock your front door, forgetting to turn off the shower or the oven, and coming home to those first little signs that everything inside is different, little "I didn't leave it like that" signs, were meant for you. [released Oct. 28th from Nova Posta Vinyl]
I did that survey recently and asked people what kind of topics they like to hear songs about. I gave a bunch of categories, like "songs about money" and "songs about faith" and "songs about travel". The two highest ranked were "songs about love from a skewed perspective" and "forgetting who you are" ("staying true to who you are" was second-last) and by far the lowest ranked was "songs about the current state of the world". I suppose this probably intimated songs like "Eve of Destruction" and "Heal the World", but I would put "Another World" in that category too, and I absolutely love it. Antony's microphone is so full of tears you can hear it overflowing in the last minute. [pre-order]
No post today. Busy week and all that. There will be a Saturday post instead, if you're free. Until then, Sean has a great POP guide for you to look at. see you soon.
A human being takes advantage of the simple machines. An inclined plane, a screw, a pulley, a wheel and axle, a lever, a wedge. Friction (love) percussion (abuse) and velocity (progress) are all possible, and made even easier and easier. Soon the mountains will slide around like so much office chairs, the volcanos opened and sealed like the aperture of a camera, relationships forged and felled with the flip of a magnet, the pull of a stopper. I hear a whooing wind in the sky, it's guiltless, illiterate, frank, heralding beauty and banal change. We'll have to grow some gills.
Elsewhere: Danny Zabbal is currently illustrating an 8-page web comic that I wrote. Every Sunday he draws a page, and he's currently at page 4. Go get caught up, and I'll post again about it when it's all done. He = amazing.
that song is one of the most surprisingly pleasurable song i've encountered in a while. i have no idea how its possible for you guys to consisting find music that make sense in my life. i just moved to montreal and sometimes(most of the time) i feel overwhelmed and drowsy but right now. i think im okay.
This sentence took an hour to write. It took me three days to eat yesterday's breakfast, 8 months to read a too-thumbed copy of "Shampoo Planet", 2 years to break it off with my old flame from Ottawa. It takes me a long time to do a lot of things. It took me 3 weeks to watch Midnight Cowboy, 9 tries before I could listen past track 4 on Lonesome Crowded West, it took me honestly forever to get through 8th grade. I takes me a long time to do a lot things. But I can grow my hair like a motherfucker. I don't even have to try at it sometimes, but when I do, it's even faster. Some days I'll go with a thick pony tail, the next day a military crew cut, and the next I'll go with waist-length straight locks. Some days it's full beard, then clean shaven, then powerful goatee, and that's in a day. On cold days I can increase my natural warmth, and on hot days, I can be completely smooth and breezy. I can do designs, text, and even photos if you let me look at it long enough. It's the thing I'm best at, so it's certainly a pleasure to watch me work. Just like it is an utter pleasure to listen to Relief Maps do what they're best at: steady, crashing, warbly rock that is at once humble and brashly talented. [Buy from the MySpace]
I picture 14-year-old girls in dark overcoats that are too big for them, and old value village fedoras and fake moustaches and umbrellas and briefcases just walking around the stage in this exaggerated "oh, excuse me sir, no excuse ME sir, I have very important tasks to do" kind of way. It sounds like the soundtrack to a clown act, one that ends with burning all the money that the audience paid to get in. Whatever it actually is I hope they're as cool as I think they are. [Buy from olFactory]
--
Also: do not miss Sean's Rye Rye post from yesterday. Oh my, yes.
Nico had a cold in 1965 and sang warmly, even for her regularly cold voice, on this cold cold summer song. Her character is all caveats and reservations and maybes and not-yets, it's the most loveless love song I've ever heard. Lyrically, this has a very niche market, namely those who are still in love with, and have not yet been hurt by, someone treating them this way, and those who treat people this way. Colossal cannonball lovers, that's about it. But musically, this song is almost universal, as in, it could mean the whole universe, you could almost fit the whole universe inside with room enough to shake it around.
Thanks for the Nico. A review for this version of the song under her entry at allmusic.com says it's the first thing she recorded, after producer Andrew Loog Oldham met her and decided she should do music. More info from that source: the song is by Gordon Lightfoot; Rolling Stones guitarist Brian Jones played acoustic guitar on this track.
Running slipping slick down all-night subway steps. Solar-powered scientific calculator bear attack. Squinting, plugging other ear, trying to hear unintelligible voicemail while swarmed by guitar-hornets. Licking a back-hand stamp to pass it, press it, to a friend.
[buy from the MySpace]
Beach blanket magic carpet clarinet-i-tron. Evergreen radar wheel christmas carol. Electric ripping Madonna helicopter shot. Lonely forest hippie garden circle. Reproachful firm but fair organ leads to massive guitar climb and inevitable fall.
[EP release at Emo's Lounge in Austin on Thurs]
I love that Unbearables song. Do you know where I can get the rest of their songs?
by Jay, Sep 10, 2008
Jay,
Dan directed me to you- I'm the flute player in the Unbearables.
I'm so glad you like the song! We don't have any way to purchase the CD online right now, but we're probably going to send a few to CD Baby and have some mp3s for itunes. If you'd like, we can also send one to you directly. Can you e-mail me at theunbearables2008@gmail.com?
Also we have another selection up at www.myspace.com/theunbearables
I like how short the railcars song is. it forces me to play it out instead of playing itself out. i saw them open for handsome furs and I swear EVERY song was like 1 - 2 minutes. or 9.
by Mike, Sep 10, 2008
EMJ hearts Railcars!! We have been playing Aria's music for a long time now and it just gets better. We've been lucky enough to have Aria sending us demo's to listen to, we must have so many different versions of each song now that it's ridiculous. Every version sounds good to us.
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada:Sean Toronto, Canada:Emma Montreal, Canada:Jeff Montreal, Canada:Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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A good thing about memory:
This song will play in my head, and the rest of my day I will be found searching out the stars underneath people's shoes and the coins jangling in their car exhaust. And it will be beautiful. Thank you.
The Theater Fire song is a marionette puppet show, with frolicking beasts and marching children.
Thanks for the track!
the Born Ruffians is so simply pleasing I'm not even going to try and explain it farther than that.