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in the hallowed ground
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
After writing about Clem Snide yesterday, I was thinking about other "pet bands" of mine - acts that I, and only I, seem to get excited about. Foremost of these (apart from Gomez, I guess,) is Ireland's The Frames. They're one of the biggest bands of the Green Isle (second only, perhaps, to U2), and yet they're nobodies here, playing at half-empty CMJ shows. They opened for Calexico. Anyway, the Frames are the milk that the now much-vaunted Damien Rice was weaned on, but for their part, Songs:Ohia and Will Oldham are more often cited as influences. Thing is, though they've gained the ability to hush, to soar, to bloom in soft, folk-rocky ways, they started out as something much closer to Pearl Jam - melodic alt-rock in the typical 90s style, passionate vocalist and all. Though the early records have definite stand-outs ("Revelate," "Fitzcarraldo," "Your Face"), it's only on the last two LPs that the band has become thoroughly mesmerising. They're honestly one of the finest rock bands currently operating. The Frames - "Lay Me Down". Taken from the band's most recent album, the Albini-produced For the Birds, here's the Frames at their most lush. It's the drums that make it work - they shudder and thump like something live and kindly, something to be cherished. So many folk/sadcore artists get it wrong: it's not the guitar that's the most important instrument, it's the drums. The right brushed fills, the ting of a cymbal. I don't know my "drum theory" whatsoever, but I could hear what Dane and Brendan used to contribute to even the quietest of Arcade Fire songs, I felt the impact when Damien Jurado's drummer flickered to life at Casa on the 10th. Glen Hansard sings without bragadocchio, a fiddle plays careful accompaniment, harmonica - and banjo! And then the song ends - it ends! - it doesn't try to build to some artificial emotional climax, or shatter into fragments, it simply wraps things up and finishes. The drums patter into the evening. The Frames have done lots more; their palette is full and varied. If there's any interest, I'll share some other highlights. Posted by Sean at November 29, 2003 2:08 AMComments
me like that song muchly. Posted by smackmaster at November 29, 2003 1:14 PMNot sure if you didn't mention it because it's so obvious, or because you didn't know, but Glen Hansard played "Outspan" in the film The Commitments. Posted by james at December 8, 2003 10:16 PMHey - just came across your site, and was scanning through the archives when I came across this post. Thank you. No really - thanks. I love this song; it's great to see some attention brought to it, and to the Frames. Really enjoyed your description, too! Posted by Elaine at December 10, 2005 11:44 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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