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like a glad bird
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
Clem Snide - "All Green". Clem Snide played in Montreal at the end of October, at a little club called le Petit Cafe Campus. I went alone - ostensibly to review the show, but I never got around to it. Clem Snide's one of my pet little bands - I like them quite a lot, but no one else I've played them for has ever become quite so smitten. Eef's lyrics are always clever and sharp, but he has a romantic side I enjoy very much, too. Anyway, there I was at the show, sitting on my own. (When I came in the door and took one of the stools along the wall, a fortysomething francophone man invited me to take one of the chairs at his table. It wasn't a drunken gesture, an uncomfortably friendly one, or any sort of creepy invitation; it was just a kind offer from one chain-smoking, greying, alt-country-music listening loner to another [minus the smoking thing]. For the rest of the show, I regretted not taking him up on it.) Surprise opener was Jim Bryson - whom I saw at BluesFest this summer - and I was struck with the same impressions as from several months ago. His live, full-band performance is scorching, terrific, bristling and fullhearted. I haven't heard the new one yet, but I do hope that it captures some of Bryson's loud, warm live show. Er. Anyway... Clem Snide. Your Favorite Music is my favourite of theirs, by far, with the last couple being a little too rock for their own good. Each is spotted with amazing songs, however - seek out "Donna," "Your Favorite Music," "African Friend," "Lost On the River," "Chinese B"... Their new one, Soft Spot sounds like it should be genius - Eef's fallen headoverheels, and here's some pure-and-unadulterated love-songs. Sadly, it's not - the album plods, it lacks the beauty it aspires to. "All Green" is a perfect example of this, but it's still completely great. The instrumental backing just never lives up to the almost-too-good lyrics ("But summer will come with Al Green and sweetened iced-tea / Summer will come and be all green with the sweetness of thee"). Still, that line is good enough to sell whole albums, if you ask me. Oh - Live? They were good. Not astounding, but good. Eef was distracted but earnest, peculiar and sincere. The highlight was a song called "Beautiful," not yet released... I'll have my ears open. To continue the live-shows-of-2003 theme, there's this: Bonnie Billy and the Marquis de Tren - "II-XV". This is from Get on Jolly, a collaborative EP between Will Oldham (Bonnie [Prince] Billy) and Mick Turner (Marquis de Tren, the Dirty 3). When Oldham played in Ottawa this summer, the show's emotional climax came (for me), when this sweet, forceful, devastating song turned over on itself and became "New Partner." This is a track that must be paid-attention-to. It's like a fallen star. Please. Posted by Sean at November 28, 2003 1:29 AMComments
I've been trying to convert people to Clem Snide for the best part of two years now, handing out CDR freebies of Favourite Music, putting them on late at night. I've made one strong convert and mildly interested a couple of people, but the majority reaction is 'ugh - I just don't get it.' I dunno if it's the cello or the bastard child of Loudon Wainright and Leonard Cohen go art country aspect, but... I keep trying to persuade the one alt.country promoter I know to book them to play Nottingham next time they're in the UK. He's only mildly interested and the tepid new album doesn't help. Nice site anyhow - just came here from fluxblog - I'll be bookmarking you and coming back. Posted by Dymbel at December 1, 2003 9:48 AMthanks for "II-XV' the greatest song i have heard this year - no luck finding the ep though but i'll keep trying. Cheers Posted by jed at December 2, 2003 6:10 PMGlad you were able to nab II-XV, jed! I found it really hard to track down, myself. Even online, it's exceedingly rare - the only thing anyone ever seemed to have was the live version from the tour-only (live) ep. and the studio one is sweeter. thanks for stopping by, Dymbel! It's a funny picture in my head to imaging Eef sauntering down the street of Nottingham, but it'll do. (He seemed sort of bewildered when I saw him the next day, simply on the street in Montreal...) Posted by Sean at December 2, 2003 9:44 PMThe day after I saw Kinky Friedman at a small venue in Nottingham, I saw him in the city's old Market Square, stumbling over the lines for the new tram system: a befuddled middle aged man with dreadlocks - now, he did look a little out of place.... OK, I'm gonna grab me some Eminem. Thanks - been looking for that. Posted by Dymbel at December 6, 2003 2:16 PMPost a comment |
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!
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all songs are removed within a week or two of posting. said the gramophone launched in march 2003, and added songs in november of that year. it was one of the world's very first mp3blogs. if you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch: montreal, canada: sean toronto, canada: jordan montreal, canada: dan please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, use a service like MailBigFile. if you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. please do not direct link to any of these tracks. please love and wonder. "and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again." we are a member of MBV.
about the authors
Sean Michaels lives in Montreal, where he is writing a novel. His work also occasionally appears at McSweeney's. Follow him on Twitter or reach him here.
Dan Beirne is an actor and writer living in Montreal. He writes fiction fiction fiction on here. It may feel true, but it is never True. He is most proud of his most recent project The Bitter End. Email him here Jordan Himelfarb lives in Toronto, where he is editor in chief of The Mark. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here. Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
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