aimee mann covered 'the scientist'?

Sorry, Sean, but on the bright side Coldplay is saving you from having to defend them much longer. I've heard similar talk about Parachutes back when it came out, but all I heard was a slightly peppier Catherine Wheel.

Regardless, I'm sure mainstream press will go crackers for this album anyway. Oh the hope, oh the optimism. I'll admit "Clocks" was probably the best non-U2 U2 song of the last 5 years, but that's as far as I go. Coldplay is the British Matchbox 20.

I think your a little off about Coldplay. While I'm not the biggest fan, I have their albums and think both of them are very fine pieces of music. Parachutes is a better album collectively, but A Rush of Blood to the Head is good collectively and is filled with some great singles... Tell me the songs "Politik", "A Rush of Blood to the Head" and "Clocks" are not "sunburts of bold song?" They're just evolving like any great band does. I haven't heard their new single, and maybe it is crap, but they're talents will ensure some great albums in the future, even if it's only a Chris Martin solo project.

Plus, they kick ass live.

Haven't heard the new single yet but i fear the worst.When Coldplay went big time they lost the very thing that made them good, their heart.
A rush of blood could have been written by anyone, it was total fill-in-the-numbers music. Every song on Parachutes was special in its own way, AROBTTH seemed to blend into itself.

I agree with your Coldplay assertion at least with regards to the new single, "Speed of Sound". Complete crap. What it is is basically Clocks part 2, but minus the brightness that made Clocks great. The best I can say about it is that it sounds like Coldplay. Not terrible but absolutely forgettable.

Shame, I liked Parachutes and felt AROBTTH had some great songs, especially the singles.

Not looking forward to the new album. And check out the crappy album cover. Yikes.

i loved parachutes as well, united we stand. holding off on criticizing the new album till i hear it... i was marginally impressed by the early version of talk but am not impressed by speed of sound. but i mean, bringing eno and kraftwerk and echo and radiohead to teenage girls can't be all bad.

When I heard the new single, I could feel my eyes clouding up and the tears forming. These were not tears of joy, mind you, but tears of disappoinment.

A damn shame.

I don't want to weigh in on Coldplay too much here, Sean, though I do remember going to see Radiohead in Toronto with you shortly after they released Kid A. After the show a bunch of record company-hired folks were at the exits handing out stickers in support for Parachutes, saying "these guys sound like Radiohead, you should check them out". We were both like "yeah, we already know about Coldplay, dude."

As an aside, some time in the past couple of months, I actually got a preview copy of the Akron/Family album that was sent to the old apartment for you. I even sent a copy of one of the songs to Dan, but it never got posted (ok, I admit it, i chose the cheesiest song on the whole album). If I can find it I'll get a copy to you somehow. It was quite good.

If you don't like any song or album THAT much, then surely your opinion is largely irrelevant. Just move onto the music you DO like. That would be far more useful.

My goodness, Sean.

Saucer of milk for Mr Michaels?

Well, I happen to think that Coldplay rock.

And you should feature more Supertramp on your site.

And how about Camper Van Beethoven?

Creedence Clearwater Revival?

James Barclay Harvest?

Come to think of it, any band with three parts to their name has to be good, right?

Never got 'Parachutes' myself, tho' I did buy the single of 'Trouble' and Aimee's cover of 'The Scientist' proves that Chris Martin can write a good song. On the plus side, Aimee's new album, 'The Forgotten Arm' is, after two plays, as rewarding and rich as the best of her work: and you don't even notice it's a concept album!

I take it back.

I have just heard the new Coldplay single.

It is as dull as ditchwater.

Duller, even.

Then again, if I was going out with Gwyneth (are they married?), I wouldn't be that interested in writng songs either.

Imagine the conversations they must have:

"Hey, Gwynnie, I have just written a song. Do you want to hear it?"

"Sure, Chrispot."

"Okay, it goes like this... (ahem)..."

there is the plink plonk of treated keyboards, the fake hum of pads...

"Let me count the ways I love you... 1... 2... 3... My sweet Gwynnie... Holy cow... you're my girl now..."

"Wow, Cee (sniff)... that's so... (sniff sniff)... beautiful. It makes me think of (snort)... the farm where I grew up and (begins to weep) my dog Buster and my grandpa and my fishpond and (wipes away tears) my antfarm and the rusty old chainsaw that hung in the garage and... and... boo hoo hoo hoo."

"Oh, not again."

"Boo hoo hoo hoo hoo hoo hoo hoo."

"Here, Gwynnie, did I show you the new Fair Trade catalogue?"

Haha Sean it's great, we have the exact same take on Coldplay! Parachutes was great, but then they sacrificied the edge and the subtility for mass appeal. Good for them I suppose...

The new MacPherson is decent but not spectacular. He has a CD release on Thursday; I will report back.

hope the akron/family album's better than the performance of theirs i saw... an entire concert of self-interested 20 minute musical digressions.

(What could "self-interested" mean there?)

Oops, that last comment was me. STG forgot me!

Damn straight man! Parachutes was (and still is) awesome! After that it's all been downhill...