Efrim Manuel Menuck - "chickadees' roar pt 2". This is the smallest and in some ways the largest song on the debut solo album by Efrim Menuck, co-founder of Silver Mt Zion and Godspeed You! Black Emperor. It is not the shortest song, but it is the lightest, the dawnest. It leads into the album's fanfare closer, its song of rousing & outright triumph, "i am no longer a motherless child". But before we get there, these roaring chickadees, this song without words, this blush of sounds - birdcalls, strings, kindly ghosts, summoned without computers, from strings & wire. High Gospel is a record of strife and surmounting, of findings, and on "chickadees' roar" the epiphanies come most easily. Like fireflies rising in the fields. Or maybe a more humble metaphor: like a train coming in.
It's beautiful. It reminds me of Stars of the Lid, Philip Jeck, but mostly of night rides, screened windows, the change of light on the inside of an arm, of a highway barrier, of a tentsheet. Yet this isn't a stodgy, countryside, Walden dream: the chickadees fly up over fluorescents, lost credit cards, heavy phone-calls. This music, I think, was imagined in a city. Our backs to concrete, we could use its help.
[Efrim Manuel Menuck's plays "High Gospel" is released May 24 / pre-order available soon]

Timber Timbre - "Bad Ritual". He had eyes like garnets., He threw these across the room, like dice. When he murmured in a woman's ear she wilted or she bloomed. He bit her with his teeth, circled her wrist with finger & thumb. Whenever he lit a fire, it sputtered and spat, like it was resisting. He breathed in the smoke, eyes open. He spoke. [Creep On Creepin' On is out tomorrow / buy]
The Donkeys - "I Like The Way You Walk". He knew that she was too cool for the song, so he never gave it to her. He'd be listening to it on repeat, cranked, with the windows open; then he'd hear her at the door and lunge for the iPod, switch it to Beach House or Emeralds, get up to meet her with a bouquet of kisses. He'd listen to it in the car, cranked, with the windows open. He'd listen to it on the way to get groceries. He'd hear the bit at the end, with men sorta yelling I love you with all my heart!, and he'd feel that hoarse feeling in his chest. Even if she was too cool for this song. Even if she listened to different things, cranked, with the windows open. But it wasn't until he left her, on the 13th of July, that he really understood what this song was for. He came home to his empty apartment, and it was raining, and he put on the country song that wasn't true any more. [buy]
---
Elsewhere: For Matt Perpetua, the final LCD Soundsystem show provokes some reflections on Fluxblog.
(photo by jchotz)
Mozart's Sister - "Single Status".
Mozart's Sister - "Contentedness".
LOOK OUT. Sometimes I think that Montreal needs to be festooned with warning signs, like the alerts for avalanches and deer crossings. Yes, for ice-patches; yes, for croissant and pupusa joints; yes, for places you ought not leave your bike locked up. But mostly it's just LOOK OUT, YOU ARE ABOUT TO HEAR SOMETHING MAGNIFICENT THAT YOU HAVE NEVER HEARD BEFORE. It's like sticking your hand in the water and catching a bucking trout, or sitting on the dock of the bay and getting a flying fish to the temple. It's not that you don't have to dig & hunt, it's not that Montreal lacks mediocrity, and it's not that discoveries are common. It's that the rarenesses are everywhere. There's something precious in the water. LOOK OUT!
All this to say: Mozart's Sister!
Mozart's Sister is Caila Thompson-Hannant, whose free debut EP, measuring three songs, was released on Tuesday. It was self-recorded. Download it. Previously, Caila has written songs with Shapes & Sizes, played bass for Think About Life. She sings like Lesley Gore, Avey Tare, Debbie Harry, Rivers Cuomo, Erykah Badu, Cher Lloyd, Bill Callahan. She does not have a label.
And these songs are many different things - klaxoned electro-pop, surfer lope, whistling whimsy, coalmine funk. While "Single Status"'s tingling synths send it air-mail to the dancefloor, "Contentedness" is patient, weird, plaintive. With glittering guitar-line, crossed-eyes spoken-word, this track feels like a particular & chafing dream, fumy and erotic. It's not a single, but it's the best kind of b-side. You can imagine it hiding birds, mice, boyfriends.
These three songs are various yet unscattered. They are roving and mischievous. They are pierced with arrows and jumping into trees. Mozart's older sister was called Marianne. And she was better at harpsichord than Wolfgang Amadeus you-know-who.
---
Elsewhere:
New Miracle Fortress single! It's "Raw Spectacle" (MP3). It's gorgeous, overblown, half-crazy. Graham Van Pelt has been listening to Kate Bush, Daft Punk, Peter Gabriel and Lebron James. Probably. (He should definitely get that new Katy B record.) You could dance all night to this. Or you could listen to it alone in your room, perched by a bay window, watching the wagging willows - and imagining that dancing. I look forward to hearing the rest. (Was I The Wave? due April 26. (!) Pre-order.)
James Irwin has released "Blue Dust" (MP3), a song from his upcoming debut. I have written a couple times, recently, about James. His spectral, unwavering folk is some of my favourite new music in this city. "Blue Dust" is the first taste of what's to come. Produced by Pat Jordache's Pat Gregoire. Stunning music video forthcoming. Longing and certain, rich with jangle and (yes) squeezebox. Like I said, go get it at Bad Panda.
Finally, amid all these other Montrealers, let us not forget the incredible new work of Adam & the Amethysts. MONTREAL WILL ELECT HIM MAYOR, I wrote in that post. That was a figure of speech. I meant: LISTEN TO THIS GREAT MUSIC. LOOK OUT!
MOZART'S SISTER, JAMES IRWIN AND ADAM & THE AMETHYSTS ARE UNSIGNED. HOLY SMOKES I DON'T GET IT.
(image - which is not real, constructed in PhotoShop - by Steve McGhee)
11:56 AM on Mar 31, 2011.
Britney Spears - "How I Roll" [buy]
Fucked Up - "The Other Shoe" [more]
There are several ways to: - tie your shoes;
- quit a job;
- pot a plant;
- break a window;
- reach the moon.
There is just one way to: - spill a drink;
- win a friend.
OK wait, wait, wait; I can't even remember if I'm right. Where'd I learn these lessons? Who taught me these wisdoms? Was I drunk on sugar, high on gin? Had my bike-treads got caught in streetcar-tracks? Was I chasing a girl? Was I lost & doomed? These days I can't tell sages from casanovas, logicians from minxes. Truths seem slippery as saltwater, odd songs seem sibling. It's springtime. Sprouts are budding. Buds are sprouting. On hillsides and in pubs, all the lambs are sneezing.
---
CONTEST - Destroyer in Montreal! This Friday April 1, promoting the exquisite new album Kaputt, Destroyer is coming to Cabaret Mile End. We have one pair of tickets to give away. To enter, leave a comment on this post with an imaginary Destroyer song-title, all in caps. Here is an example: YOUR LETTERS, JOSEPHINE. Enter as many times as you like, with separate comments. Merge will choose their favourite. Contest closes at 11:59 am on Wednesday. CONTEST CLOSED: Merge are picking a winner!
(image source)
Code Pie - "Operator". Maybe "Operator" is about God, maybe it's about ourselves, maybe it's about a flashing switchboard that controls our days. Whatever it is, the song hoists them on its shoulders, parades them through the neighbourhood, high-fiving & jaywalking & pausing for shots of snowmen, sunrises, poodles. Montreal's Code Pie make a racket with percussion, glockenspiel, synths, horns, but although the instrumentation is familiar, the arrangement is mischievous, fresh; it's determined and shambolic, like someone who is very carefully falling down the stairs and into his next move. [listen on bandcamp / album launch on Sunday]
Olenka and the Autumn Lovers - "Go". A fine song, worthy of country radio and vintage jukebox - but Olenka's not from Nashville, not from 1981: she lives in London, ON and makes indie rock with the Autumn Lovers, certain and smouldering. So set aside the image of a bridle, a kerosene lantern, a hill - imagine instead a beat-up Civic, a cell-phone, a highway. Betrayal persists, heartbreak adapts, loss lives. [buy And Now We Sing]
---
Elsewhere:
Honestly, holy shit, what a wonderful, wonderful video for "Bizness", from Tune-Yards' upcoming album.
(image by Tolia Demidov - source)
12:03 PM on Mar 24, 2011.
I've made a mix for the end of March.
MARCH MIX - fuck you winter
[58:18 / 80mb]
I started working on it last week, traipsing through the slush & sleet, wishing for some rock'n'roll to just blast this season away. I love winter, I love the Montreal winter, but come March I'm always ready for whatever's next. Bring on spring, bring on summer, bring on autumn and the thing that follows. So I started making this, a mix full of shouts, noise, bashed electric guitar. And then the weather got nice, the bikes came out, and it seemed for a few days that my mix might be obsolete. But today: there is a blizzard in Montreal. The streets are blanketed. So I'm going to turn on this mix, put it in my ears, and have a snowball fight with the cowed & cowardly sun. POW, BANG, CLANG. No more carrot - it's time for the stick.
track-list: 01. Sleater-Kinney - "The Fox" 02. Futureheads - "Carnival Kids" 03. Exploding Hearts - "Throwaway Style" 04. R.L. Burnside - "The Criminal Inside Me" 05. Withered Hand - "New Dawn" 06. PS I Love You - "Meet Me At The Muster Station" 07. tUnE-yArDs - "Bizness" 08. McLusky - "There Ain't No Fool In Ferguson" 09. Haunted House - "Sierra Trail" 10. Eternal Summers - "Dye" 11. Ponytail - "Easy Peasy" 12. Sister Suvi - "Desolation" 13. The Jon Spencer Blues Explosion - "Full Grown" 14. Baby Eagle - "Crooked Coin" 15. Spoon - "Is Love Forever?" 16. The Octagon - "Cross Tops" 17. The Pixies - "Debaser" 18. Mavo - "Pay As You Go" 19. Shotgun Jimmie - "Bar's Closed"
(image source)
12:01 PM on Mar 21, 2011.
Jon Spencer Blues Explosion - "Full Grown". Before I ever give a woman flowers, I put them in the oven. I give them to her hot. [buy]
The Beatles - "I've Just Seen A Face". Each time I fall in love, I write a beautiful song, one of the greatest-ever songs. It's just what I do. With my heart so rosy in my chest, I throw a dart at a chart on the wall; it lands on the name of an artist, Mastodon, Tupac or Simon & Garfunkel. And then I make that artist redundant, writing a song so good that they simply ought to retire. I guess some people write poems, buy bouquets, gorge on ice-cream. But when I fall in love I just can't help myself. I write a song which will soundtrack ten thousand weddings, which will sound from radios for a thousand years, which will earn me & my baby ten million dollars. It's the only thing I know how to do. Every time I fall in love. [buy]
10:55 AM on Mar 17, 2011.
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
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Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Daria Tessler.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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eat:
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This is incredibly exciting news! Constellation records are on fire with one amazing release after the other this year.
just beautiful.
DANG
CAN NOT WAIT... pre-ordering LP now.
a beautiful review. Efrim's music is not done justice by words, but you picked very good ones.