Said the Guests: Bear in Heaven
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.
The first person I ever heard utter Bear In Heaven's name was the French filmmaker Vincent Moon. He had been in New York recently, and he told me "zey were amazing". Noisy and ripe, he said, or those are the images I took away with me. At the time, Bear In Heaven were supporting their first album, 2007's Red Bloom of the Boom. I listened, I watched Vincent's Take-Away Show with them, but the band's songs were still very diffuse - more noise that ripeness, perhaps. And so I waited for the boom to fully bloom.
Fast forward two years, and Bear In Heaven's new record arrives on my doorstep. Beast Rest Forth Mouth is regal, filthy and magnificent; it is blurred, burred and precise. Songs that sing, that catch & echo, but still submerged in that slick of groan, shatter and pixelbitten heave. Which is to say, it's a subway roar and bright red plum. It's everything Vincent promised.
Earlier this week, I wrote about two songs from Beast Rest Forth Mouth. Go listen, go buy. And now, Adam Wills, the man Wikipedia calls Bear In Heaven's guitarist, has answered my plea to share some songs he loves - to offer them up, and tell them why & how they make his body chime.
Thank you so much to Adam for joining Said the Gramophone as one of our rare guest-posters. Readers! Please read, imbibe, and leave a comment! Oh & buy the album, do.
Musically, this is the crossroads for us as a band. In the circle of music we share, spin, love, and waste hours yapping about , this track, well, this whole album, has got to be at the epicenter. Bringing in just about every element and every genre that we adore. It's dubby, it's weird, it's catchy as all hell.. It's truly a perfect song. Just totally infectious. Each musical child birthed by This Heat sits high on all of our charts. Flaming Tunes, The Camberwell Now, and This Heat itself, are strong and apparent influences on us. Now, perhaps I'm wrong for speaking for the four of us. But to me, it's always been so romantic and strangely appealing to be cherished long after our lifespan as a band. I've certainly noticed and contributed to overly hyped current bands that just don't exist nor hold my interest 6 months later. This Lifetones record is a wonderful example of unrecognized genius, this song does NOT sound 25 years old. I was extremely tempted to post another song from the album, the title track, "For A Reason".. simply for that classic dub mantra "Live the life you love, love the life you live.".. That's something I try to wake up with everyday. Though, certainly, "If I can learn from you, to learn from me, to learn from you.." is a lesson we should all practice.
Now THIS is a question every band must ponder. R. Stevie Moore, is just, hmm, spectacular, and this song in particular, aside from being hilarious, serves as the perfect theme song for our band. Since we first started getting reviews, it sure seems no one knows what exactly we are trying to do, what kinda of band we are, and just where to place us. Albeit positive reviews, most start with some variation of "How do I classify this band?"... Though extremely proud that most can't pin point our influences and inspirations musically, maybe we're the only 4 on the planet that truly "gets" us. Often annoying, yet always encouraging. Now you can reflect back to my rant over Goodside and perhaps 30 years from now, some futuristic reflection of myself will realize how brilliant we really were? That's something that would make us all smile. But for now, I'll take some pleasure in R. Stevie's gurgled vocals slapped on the end of an otherwise perfect pop song "The songs are too weird, the songs are too weird, the songs are toooo weeeeiirrrdddd"
Scott Walker. I love you. You make me feel dark, alive, gay, cooler than cool and I can never get enough. I think this record by now is pretty well circulated, but it's from the Walker Brothers very last album. Holy shit. From the minor atonal string drone that sits underneath it all (Same thing I loved from the very first Scott song I was played "It's Raining Today") Scott composed the first 4 songs off this record, and I don't think many make it to the 5th track, these songs are THAT good. Baby it's slow, when lights go low, there's no help, no. You guys can keep your Morrissey, Scott Walker is my God. Hungover morning commutes, late night red-wine fueled "karaoke" sessions, and overheated slow dances, Scott has suited each situation so well.
I'd very much like to dedicate this song to a very dear friend. As I type this, she is struggling with her battle with cancer, and I can't quit thinking about her. Her time here spent on the mortal plane and her role beyond. I wish for her to carry with her, all in this world that makes her happy, Tomorrow, Tomorrow, and Tomorrow. I love you. We all do.
Posted by Sean at October 7, 2009 11:08 AM
Adam, very much enjoying your deliciously dense music (thanks for the intro, Sean)!Posted by Amy at October 8, 2009 10:34 AM
Adam: Loved the songs and your writing. So funny and so true.
StG continues to impress, year after year. Thank you.Posted by Bryan at October 8, 2009 9:07 PM
Really enjoying the songs :)Posted by Vlada at October 12, 2009 2:24 AM
Funny. "It's raining today" was my first Scott Walker song as well, on an unmarked mixtape, made by someone "just recording songs off this weird NYC radio station". It was love at first hearing but it took me years to find out who it was.Posted by sascha at November 24, 2009 6:17 AM
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
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Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by .
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
Said the Gramophone does not take advertising. We are supported by the incredible generosity of our readers. These were our donors in 2013.
our favourite blogs
(◊ means they write about music)
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The Dolby Apposition ◊
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Pitchfork Reviews Reviews ◊
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Torture Garden ◊
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Then Play Long (Marcello Carlin) ◊
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my love for you is a stampede of horses
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The Hood Internet ◊
things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, caffé italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News